watching always like/for

watching always like/for (log), home

Agnes Varda - The Young Girls Turn 25 (1993), hats and hands on table reading journals Werner Schroeter - Deux (2002), Isabelle Huppert with a smoky head Janusz Majewski - Sublokator (1967), a bunch of little bits and bobs on a table Alain Resnais - Hiroshima Mon Amour (1959), girl lying in bed back turned playing with nape of her hair Alain Resnais - My American Uncle (1980), interior of room/study fancy European Marguerite Duras - Baxter, Vera Baxter (1977), castle mansion Jean-Luc Godard - Masculin Féminin (1966), Chantal Goya looking annoyed/sad/perfect Agnes Varda - 7p., cuis., s. de b., … à saisir (1984), industrial kitchen with surfaces covered in grass and a turkey standing there Robert Bresson - L'argent (1983), pretty black photo camera seen on display from behind Vojtěch Jasný - Až přijde kocour (1963), red rose Jana Ševčíková - Jakub (1992), brunette in headscarf closing eyes against wind and snow Jean-Luc Godard - Hail Mary (1985), mary Michelangelo Antonioni - La Notte (1961), woman with wet hair looking at a man who has his back turned Ingmar Bergman - Persona (1966), blonde woman looking down Guy Gilles - Love at Sea (1964), woman in red top looking out the window Hal Hartley - Simple Men (1992), elina in white and black striped shirt Agnès Varda - Along the Coast (1958), colourful umbrellas on the beach closed Doris Wishman - Bad Girls Go to Hell (1965), a blonde lies in bed with dramatic shadows on face rom window Jerzy Kawalerowicz - Cień (1956), a young girl with brown hair and kind of stick out ears Terrence Malick - Days of Heaven (1978), old-fashioned red place François Truffaut - The 400 Blows (1969), three young girls behind grates of a cage in black and white Suzana Amaral - A Hora da Estrela (1985), girl sitting with hibiscus flower in her lap Wojciech Has - Pożegnania (1958), two girls in polka dot 50s dresses with white gauzy scarf around arms light each other's cigarette before a fountain Masato Harada - Bounce Ko Gals (1997), blurry pic of girl looking out train window with big red scarf tied to backpack Agnes Varda - Kung Fu Master (1988), young boy sits in bed in candlelight Krzysztof Kieślowski - Trzy Kolory: Czerwony (1994), spilled glass on a pool table with some other stuff about Agnes Varda - La Pointe-Courte (1955), a couple lie in bed with the subtitle the bond between us is stronger than we are Hal Hartley - The Unbelievable Truth (1989), nameplates in door bell one being harold budd Agnieszka Holland, Jerzy Domaradzki, Paweł Kędzierski (1977), Girls standing around at a party Barbara Sass - Pajęczarki (1993), name EWA scratched into bottom of sneaker Jean Luc Godard - 2 or 3 Things I Know About Her (1967), red felt tip handwriting on a page Peter Greenaway - The Belly of an Architect (1987), still life with stacked books glasses fresh figs Peter Greenaway - The Draughtsman's Contract (1982), Hand in black glove drawing on paper Peter Greenaway - A Zed & Two Noughts (1985), bowl of green granny smith apples Francois Truffaut - Jules et Jim (1962), SABINE Agnes Varda - Lions Love (1969), Viva looking in camera Werner Schroeter - Malina (1991), Isabelle Huppert backlit by blue sky looking perfect Robert Bresson - Diary of a Country Priest (1951), girl with cool pins in hair standing in profile at a window Jon Jost - All the Vermeers in New York (1990), women in sunglasses in new york city skyline in red jacket Miloš Forman - Amadeus (1984), young mozart playing with blindfold Donna Deitch - Desert Hearts (1985), beautiful brunette in bath Frédéric Tcheng - Halston (2019), mirrored red room close up of blurry legs in black running Piotr Szulkin - Golem (1980), hand holding grains Claude Chabrol - La Cérémonie (1995), two women sit on floor with one arm each around each other Piotr Szulkin - Zycie codzienne (1976), overhead shot of table and couple sharing a meal Piotr Szulkin - Femina (1990), woman in a kind of cage warped angle Andrzej Barański - Tabu (1988), woman in mourning attire standing with back turned in dark room Eric Rohmer - The Kreutzer Sonata (1956), ballerina with short brown hair sitting by piano Eric Rohmer - Four Adventures of Reinette and Mirabelle (1987), brown haired girl in red cardigan Richard Linklater - Slacker (1990), brown-haired girl looks down at a photo János Xantus - Eszkimo asszony fazik (1984), Trabant bands itting around and Mari in crazy plastic accented dress Giuseppe De Santis - Bitter Rice( 1949), Women walking along roadside ricefield edge Georges Nasser - Where to? (1957), Two young girls hugging Otto Preminger - Bonjour Tristesse (1958), Blonde with pixie cut driving in a car Andrzej Munk - Spacerek staromiejski (1958), title screen of movie, hand done cute font Miloš Forman - Black Peter (1964), Dance floor at party Miloš Forman - The Firemen's Ball (1967), Someone's furniture outside in the snow sleeping in bed Krzysztof Kieślowski - Bez końca (1985), A couple walking blurrily away Martín Rejtman - Silvia Prieto (1999), Close up on silvia in profile Andrzej Munk - Pasażerka (1963), Shot of woman with pixie cut Chantal Akerman - Portrait of a Young Girl at the End of the ’60s in Brussels (1994), A large field at dawn or dusk and figures approaching Eric Rohmer - The Marquise of O (1976), Marquise in bed looking so sad Bruno Barreto - Dona Flor and Her Two Husbands (1976), Dona Flor cooking in kitchen Ken McMullen - Ghost Dance (1983), Pascale Ogier in profile wearing denim Krzysztof Kieślowski - Przypadek (1987), woman sitting at a table with feet up after a party Eric Rohmer - The Bakery Girl of Monceau (1963), close up of bakery girl Eric Rohmer - Nadja in Paris (1964), red wine being poured into amazing wine glass Eric Rohmer - Fermière à Montfaucon (1967), shot of farm in winter Eric Rohmer - Les Signe du Lion (1962), Godard looping a record on a gramophone Eric Rohmer - Suzanne's Career (1963), close up of handsome young man with real cheekbones Eric Rohmer - A Good Marriage (1982), women in profile looks out train window Jacques Rivette - Celine and Julie Go Boating (1974), hallway, doorway, blue smoky light lue glass bottles to the right on ashelf Eric Rohmer - Pauline at the Beach (1983), Girl sits at lunch table over plates of fruit Eric Rohmer - Full Moon in Paris (1984), women at a simple cafe table, looking forlorn Philip Kaufman - The Unbearable Lightness of Being (1988), Binoche topless laying face down on couch looking back to camera Eric Rohmer - My Girlfriend's Boyfriend (1987), Blanche close up in red sweater holding flower Lizzie Borden - Born in Flames (1983), close up of blond looking upset, perturbed Eléonore Huisse, François J. Bonnet - Échos (2021), close up of Eliane Radigue's ARP Konrad Królikowski - Bloki (2017), In Polish apartment block apartment with large window man stands in window looking out surrounded by many plants Robert Altman - Prêt-à-porter (1994), Part of photo shoot showing models wearing red cowboy boots and one black boot Robert Altman - A Wedding (1978), A line of people sitting on a low wall in front of a glass house on grass lawn, kind of misty Eiichi Yamamoto - Belladonna of Sadness (1974), white cloaked woman poised at bottom of a staircase Walter Hugo Khouri - As Filhas do Fogo (1978), close up of two women kissing one with hand on other's neck Miloš Forman- Loves of a Blonde (1965), three people lie crammed in bed under duvet covers like the one I have with the cut out diamond on it showing silky side of duvet From Krzysztof Rogulski - Wielka Majówka (1981), plain cup on a surface catching raindrops from roof From Dario Argento's Suspiria (1977), Pictured through a lightbulb on ceiling two girls lie or sit on bed From Robert Ashley's Perfect Lives Act 1: The Park (Privacy Rules) (1983), Blurry green trees From Mike Nichols's The Graduate (1967), Tiny person banging on huge church window pictured from below From Hiroshi Ishikawa's Tokyo.Sora (2002), Overhead shot of a large piece of paper on a wooden table with a plant and pencil on paper, books also seen on floor in corner From Matt Wolf's Wild Combination: A Portrait of Arthur Russell (2008), close up of Arthur's cello neck From Yohji Yamamoto's A/W 1989 Women's show, lone model at far end of runway wearing long dress with cut out shoulders From Marcie Begleiter's Eva Hesse (2016), archival photo of Hesse shortly before her death sitting in her studio in red sweater From Wim Wenders's Notebook on Cities and Clothes (1989), the legs of models in Paris runway show rehearsal walking, blurred From Susan Cianciolo's Films and Collaborations 1996-2012, a woman in a long red dress? or red outfit with some black details lies face down in a kind of rope structure or hammock From Roman Polanski's Repulsion (1965), shot in black and white a plate of fish and chips, very crispy fish From Andrzej Żuławski's The Devil (1972), a woman shown close up lies on the ground, holding a switchblade up to her neck From Andrzej Żuławski's Possession (1981), Anna in subway station about to smash her shopping net bag against the wall From Éric Rohmer's L'Amour l'après-midi (1972), Zouzou lying naked in bed, smiling From Éric Rohmer's La Collectionneuse (1967), Haydee on her back on the sand looking up at Adrian we see her as if from Adrian's perspective who is looking down at her, although the camera is above the back of Adrian's head From Werner Herzog's Stroszek (1977), Eva bending down by a birdcage with a black and orange bird inside, in black, hair obscuring her face From Claudia Weill's Girlfriends (1978), close up of brunette with curly hair and a purple clip in it From Éric Rohmer's The Green Ray (1986), shot of the sea and horizon just after sunset and seeing the green ray From Steven Soderbergh's Sex, Lies and Videotape (1989), a television screen showing a video playing of Andie MacDowell's character From Éric Rohmer's Claire's Knee (1970), Intertitle that reads Vendredi 10 Juillet in blue handwriting From Éric Rohmer's My Night at Maud's (1969), a blonde woman reading in bed, looking down at her book From Nicole Holofcener's Walking and Talking (1996), a brunette holds up a blonde's body so she in floating in a lake, arms extended From Michael Haneke's The Piano Teacher (2001), portrait shot of Erika in peach blouse and red lipstick, lookig at camera From Jan Röed, Kristian Petri, Johan Söderberg's Tokyo Noise (2002), beautiful shot of Mt Fuji. with sky a bright purple From Sam Green's Annea Lockwood / A Film About Listening (2020), opening title with typo that reads THIS FILM IS ABOUT LISTENING.PLEASE WEAR HEADPHONES IF YOU CAN; THE EXPERIENCE WILL MUCH STRONGER From Joshua Safdie's The Pleasure of Being Robbed (2008), close up of Eleanor's hands behind her in handcuffs, red sweater From Luca Guadagnino's The Staggering Girl (2019), close up of feet and legs of Moore in black gown rushing along cobblestones From Chloé Zhao's Songs My Brothers Taught Me (2015), A shot on some houses on the plains, grey skies, with a rainbow emerging on left From Frances Ford Coppola's The Godfather Part II (1974), Kay in the courtoom, pictured in profile in a pinkish light From Alice Rohrwacher's Happy as Lazzaro (2018), mismatched glasses and mugs holding espresso on a tray From CTV Television's Ervin Nyiregyházi documentary (1978), a young boy plays at an old fashioned kids piano in a grand salon room $From CTV Television's Ervin Nyiregyházi documentary (1978), close up of tuxedoed arms playing piano in a kind fo fractcal effect$ From Reiner Holzemer's Martin Margiela: In His Own Words (2019), a shot of an archival Courrèges fashion video showing 1960's boots with the toes cut out From Neon Genesis Evangelion series (1995), Huge fiery outlines of wings shoot out from earth as seen from space From Neon Genesis Evangelion, episode 20 (1995), Shinji sits on a train seat head in his hands bathed in orange sunset light, subtitle reads 'I'm going to impress father. The father that abandoned me!' From Nobuhiko Ôbayashi's His Motorbike, Her Island (1986), shot of character in a white t-shirt and helmet leaning forward on the handles of their motorcycle while riding a ferry and looking out at the cloudy view of the islands surrounding From Chantal Akerman's The Eighties (1983), headshot of a brunette in a red shot in profile, on righthand side of frame, looking left From Mary Lance's Agnes Martin: With My Back to the World (2002), Agnes holding and hidden behind a 5x5 un-gessoed canvas in her painting studio From IMA'a Éliane Radigue Portrait (2006), a shot of rippling water, subtitle reads 'It was the two extremes: one to throw it all away, the other to be captivated From Věra Chytilová's Daisies (1966), Small green apples scattered on a black and white tile floor with a fragment of a leg showing A birds-eye shot of a restaurant table showing plates of whole fish and many glasses Two hands touch a cut up watermelon on a bureau in front of a wall drawn with numbers and scribbles in black ink A hazy shot of the brunette Maria wearing a towel Headshot of the orange-blonde Maria in her daisy crown, caption reads 'I love you'? Very bright green plush grass fills the frame Kind of iridescent rainbow-tinted water fills the frame The brunette Maria lays in the bottom left of frame with her head floating in the upper right. Room walls are papered in texts, images, scraps, portraits, pictures, who knows mostly in black ink The two Marias dance under a chandelier with a dusk bright blue sky outside, pictured through diamond-rimmed glass panels Overhead shot of a broken plate arranged back in its place setting on the table. Subtitle reads 'We'll be hard=working and everything will be clean' From Věra Chytilová's Vlčí bouda (1987), the film's title is showing in expressive black hand-painted caps on a background showing icy snow From Martine Syms' Incense Sweaters & Ice (2017), Syms at outdoor flower market From Haile Gerima's Bush Mama (1979), two characters embrace in deep shadow, light from the window filters in and the wire bed frame is visible, characters very blurred From Robert Altman's Short Cuts (1993), a helicopter lit up in bright pink light flies through a night sky next to pink and aqua text that reads a 'A ROBERT ALTMAN FILM' Inside of a bedroom with floral patterned wallpaper, white doors and a tall dark wood set of drawers with a white phone on top Dark surface of a lake, underneath the surface the white body of a female corpse can be made out The white-socked feet of a cello player sitting behind their instrument, their toes curled up A woman with long blonde hair and in a white sleeveless dress, pictured from behind at an angle, makes a drink in a white kitchen, in front of the kitchen window Close up of a character in a white dress holding their bloodied fist over the sink. A yellow bottle of Joy is at the left side of the sink, and a green tin of Comet on the right Two shot glasses on the ledge of the receptionist's desk in a hospital, one shot glass has a white egg in it A woman with long brown hair and in a purple t-shirt holding a bottle of Budweiser smiles mid-conversation Wide shot of a kitchen, at the sink a character can be seen at the sink from behind, panty-less Dark-lit shot of a liquor cabinet with glasses and flutes A woman sits playing her cello in a closed garage with the car spilling out carbon monoxide From Mira Nair's Mississippi Masala (1991), Mina pictured through a rain-splattered phone booth, from shoulders, talking on the phone From Anne Linsel's Pina Bausch (2006), on a black stage, a woman in a grey long sleeve dress with large glasses and her long curly hair pulled back in a pony tail reads from a small paper she holds in her hands From Krzysztof Kieślowski's 'Dekalog, dziewięć' (1988), a dark wood-paneled room with a long green hanging plant dangling down into the frame Tsai Ming-liang - Vive L'Amour (1994) Paul Thomas Anderson - Phantom Thread (2017) Krzysztof Kieślowski - Dekalog, osiem (1988) Jerzy Kawalerowicz - Matka Joanna od Aniołów (1961) Pina Bausch - Café Müller (1978) Flavio Mogherini - The Pajama Girl Case (1977) Flavio Mogherini - The Pyjama Girl Case (1977) Kathleen Collins - Losing Ground (1982) Krzysztof Kieślowski - Dekalog, cztery (1988) Wim Wenders - Lisbon Story (1994) Julie Dash - Illusions (1982) Gakuryû Ishii - August in the Water (1995) Robert Altman - Images (1972) Robert Altman - 3 Women (1977) Robert Altman - McCabe and Mrs. Miller (1971) Robert Altman - Quintet (1979) Robert Altman - Come Back to the Five and Dime, Jimmy Dean, Jimmy Dean (1982) Robert Altman - That Cold Day in the Park (1969) Chantal Akerman - Toute une nuit (1982) Robert Altman - A Perfect Couple (1979) Daphné Hérétakis - The Seaweed In Your Hair (2016) frutto - mix for c- tv (2020) Yoji Kuri - Ai (1962) Yoji Kuri - Aos (1964) Thomas Reichman - Mingus: Charlie Mingus 1968 (1968) Peter Greenaway - 26 Bathrooms (1985) Federico Fellini - 8 1/2 (1963) Carles Congost - Supercampeón (2000) Hayao Miyazaki - Castle in the Sky (1989) Unknown video by Chris and Cosey Julie Dash - Daughters of the Dust (1991) Peter Greenaway - Drowning by Numbers (1988) Peter Greenaway - The Falls (1980) Hiroshi Teshighara - Antonio Gaudí (1984) Gus Van Sant - To Die For (1995) Chantal Akerman - Je tu il elle (1975) Chris Marker - Junkopia (1981) Chris Marker - Le mystère Koumiko (1965) George Kuchar - Ascension of the Demonoids (1985) Chantal Akerman - La chambre (1972) Lucrecia Martel - La Ciénaga (2001) Jean Cocteau - Le Sang D'un Poète (1930) Chris Marker - Theory of Sets (1990) Chris Marker - Sans Soleil (1983) Robert Bresson - Mouchette (1967) Robert Altman - Nashville (1975) Todd Haynes - Poison (1990) Yvonne Rainer - A Film about a Woman Who... (1974) Chantal Akerman - Saute ma ville (1968) Pier Paolo Pasolini - Teorema (1968) Alfred Hitchcock - Vertigo (1958)

watching always like/for (log), home