watching always like/for (log), home

Overhead shot of a large piece of paper on a wooden table with a plant and pencil on paper, books also seen on floor in corner From Hiroshi Ishikawa's Tokyo.Sora (2002), a woman sits in the bath smoking in blue water From Hiroshi Ishikawa's Tokyo.Sora (2002), a woman sits in the bath smoking in blue water From Hiroshi Ishikawa's Tokyo.Sora (2002), a woman sits in the bath smoking in blue water From Hiroshi Ishikawa's Tokyo.Sora (2002), a woman sits on the floor at her writing table in a studio apartment, her back is turned to camera From Matt Wolf's Wild Combination: A Portrait of Arthur Russell (2008), close up of Arthur's cello neck From Matt Wolf's Wild Combination: A Portrait of Arthur Russell (2008), 35mm? video of soft serve ice cream cone in Gem Spa From Matt Wolf's Wild Combination: A Portrait of Arthur Russell (2008), shot of some of the gear in Arthur's home studio From Matt Wolf's Wild Combination: A Portrait of Arthur Russell (2008), Shot of a country road under dark grey stormy sky in Iowa From Matt Wolf's Wild Combination: A Portrait of Arthur Russell (2008), Shot of what fields under blue sky in IowaFrom Yohji Yamamoto's A/W 1989 Women's show, lone model at far end of runway wearing long dress with cut out shoulders From Yohji Yamamoto's A/W 1989 Women's show, model at front of runway, turning, wearing long dress with cut out shoulders From Yohji Yamamoto's A/W 1989 Women's show, two models backs turned to camera walking to the back of runway in long dresses with cut out shoulders From Yohji Yamamoto's A/W 1989 Women's show, long model walks towards front of runway in dark pant suit with huge with bow tie From Yohji Yamamoto's A/W 1989 Women's show, three models on the runway wearing black and white colour block t-shirts From Yohji Yamamoto's A/W 1989 Women's show, three models on the runway wearing black and white colour block t-shirts From Yohji Yamamoto's A/W 1989 Women's show, three models on the runway wearing black and white colour block t-shirts From Yohji Yamamoto's A/W 1989 Women's show, lone model wearing all dark outfit (maybe long dress? with pockets) with a straw sunhat with black ribbon From Yohji Yamamoto's A/W 1989 Women's show, two models walking around from camera in black dresses and each wearing a hat From Yohji Yamamoto's A/W 1989 Women's show, model wearing all white kind of flapper day boating outfit, long skirt and button up blouse, with umbrella and hat From Yohji Yamamoto's A/W 1989 Women's show, two models walking away from the camera, near back on stage now, each in black outfit with black frilly umbrellas open From Marcie Begleiter's Eva Hesse (2016), archival photo of Hesse shortly before her death sitting in her studio in red sweater From Marcie Begleiter's Eva Hesse (2016), shot of a bit of Hesse's work Accretion with subtitle reading Fragile, beautiful, tentative From Wim Wenders's Notebook on Cities and Clothes (1989), the legs of models in Paris runway show rehearsal walking, blurred From Wim Wenders's Notebook on Cities and Clothes (1989), the legs of a model in Paris runway show rehearsal, in black flats, posed like a ballerina From Wim Wenders's Notebook on Cities and Clothes (1989), crazy crisp bright romantic shot of the Seine, very very bright blue sky From Wim Wenders's Notebook on Cities and Clothes (1989), left hand side of frame is Paris as seen through a front car windshield. Righthand side is screen of Wim's video camera showing Yohji sitting in his studio From Wim Wenders's Notebook on Cities and Clothes (1989), a tangle of overpasses with pink sides, I think in Tokyo From Susan Cianciolo's Films and Collaborations 1996-2012, a woman in a long red dress? or red outfit with some black details lies face down in a kind of rope structure or hammock From Susan Cianciolo's Films and Collaborations 1996-2012, close up blurred shot of I think red flowers From Susan Cianciolo's Films and Collaborations 1996-2012, a brunette in a grey? skirt and red short sleeve crop top with exaggerated collar stands in front of some kind of sculpture in a white room From Susan Cianciolo's Films and Collaborations 1996-2012, shot from neck to thighs, a woman in a long sleeve top layered under white camisole layered under red sleeveless top tied at the waist, in a beige skirt, stands in front of a cityscape that looks like NYC From Roman Polanski's Repulsion (1965), shot in black and white a plate of fish and chips, very crispy fish From Andrzej Żuławski's The Devil (1972), a woman shown close up lies on the ground, holding a switchblade up to her neck From Andrzej Żuławski's The Devil (1972), a blonde spins around in the snow From Andrzej Żuławski's The Devil (1972), shows birds-eye, the devil in his black cloak sits in a darkly lit tree From Andrzej Żuławski's Possession (1981), Anna in subway station about to smash her shopping net bag against the wall From Andrzej Żuławski's Possession (1981), Close up on Anna in blue dress and gauze around her neck From Andrzej Żuławski's Possession (1981), Anna in the doorway in blue dress and gauze around her neck, shown from waist up From Andrzej Żuławski's Possession (1981), shot from below, Anna puts meat into a meat grinder with a rapt saintly looking-skyward gaze From Éric Rohmer's L'Amour l'après-midi (1972), Zouzou lying naked in bed, smiling From Éric Rohmer's La Collectionneuse (1967), Haydee on her back on the sand looking up at Adrian we see her as if from Adrian's perspective who is looking down at her, although the camera is above the back of Adrian's head From Éric Rohmer's La Collectionneuse (1967), Daniel standing outside on balcony wearing a purple robe underneath a white cape type thing From Éric Rohmer's La Collectionneuse (1967), Daniel looking in mirror looking kind of theatrically pensive camera looking over his shoulder From Éric Rohmer's La Collectionneuse (1967), Daniel high lying on loveseat with his blue glasses on holding up his hand in circle shape in front of his eye From Éric Rohmer's La Collectionneuse (1967), Daniel sitting on windowsill in a mustard and olive striped polo smiling kind of, cigarette smoke lightly blowing up in front of him From Éric Rohmer's La Collectionneuse (1967), Adrian in bed at night with a lamp on with a red lampshade turned away from camera that looks up at him from end of bed, reaching over towards lamp, side table From Éric Rohmer's La Collectionneuse (1967), Looking into a small room a bright sunny window on the opposite wall can see a chair clearly and a model boat on a table From Éric Rohmer's La Collectionneuse (1967), Shot of a cluttered desk with all sorts of stuff on it like baseballs, liquor bottles so dense can't even really see the desk From Werner Herzog's Stroszek (1977), Eva bending down by a birdcage with a black and orange bird inside, in black, hair obscuring her face From Werner Herzog's Stroszek (1977), wide shot of Bruno in a grey building courtyard with his glockenspiel and accordian From Werner Herzog's Stroszek (1977), close up of brunette with curly hair (Eva) looking kind of pouty sad From Claudia Weill's Girlfriends (1978), close up of brunette with curly hair and a purple clip in it From Claudia Weill's Girlfriends (1978), close up of a wall painted red From Claudia Weill's Girlfriends (1978), close up of a white wall being painted red, a paint roller is entering frame from bottom left From Éric Rohmer's The Green Ray (1986), shot of the sea and horizon just after sunset and seeing the green ray From Éric Rohmer's The Green Ray (1986)), In a red rain poncho Delphine runs down some rocky stairs built along a cliff face towards the sea From Éric Rohmer's The Green Ray (1986)), two brunettes sitting at an outdoor domestic dining table with teaware, brunette in red sips at a French-style latte cup, brunette in black corset top nibbles at what I think is a plum From Steven Soderbergh's Sex, Lies and Videotape (1989), a television screen showing a video playing of Andie MacDowell's character From Steven Soderbergh's Sex, Lies and Videotape (1989), Close up of Andie MacDowell, in a darkened room at night, large curls, looking sad, tired, sensual From Steven Soderbergh's Sex, Lies and Videotape (1989), A woman shown in profile stands in front of some artworks she has made on the wall, playing with a lighter the flame is lit From Éric Rohmer's Claire's Knee (1970), Intertitle that reads Vendredi 10 Juillet in blue handwriting From Éric Rohmer's Claire's Knee (1970), Inside of a teenage girl's bedroom showing single bed with pink sheets, chair with tshirt draped over, stuff on the bed, a post hanging From Éric Rohmer's My Night at Maud's (1969), a blonde woman reading in bed, looking down at her book From Éric Rohmer's My Night at Maud's (1969), a blonde looking pensive with her arms crossed over the back of an armchair From Éric Rohmer's My Night at Maud's (1969), a blonde woman smiling with her arms crossed over the back of an armchair From Éric Rohmer's My Night at Maud's (1969), a blonde woman in sweater and skirt gets water at a sink, back turned to camera From Nicole Holofcener's Walking and Talking (1996), a brunette holds up a blonde's body so she in floating in a lake, arms extended From Nicole Holofcener's Walking and Talking (1996), a blonde with a short bob looks out a high window into the night with a pink light framing her in the room behind From Michael Haneke's The Piano Teacher (2001), portrait shot of Erika in peach blouse and red lipstick, lookig at camera From Michael Haneke's The Piano Teacher (2001), Erika sitting in a tiered auditorium of chairs to left of screen at examination From Michael Haneke's The Piano Teacher (2001), Erika standing in piano teaching room back turned to camera looking out open window piano taking up much of foreground From Jan Röed, Kristian Petri, Johan Söderberg's Tokyo Noise (2002), beautiful shot of Mt Fuji. with sky a bright purple From Jan Röed, Kristian Petri, Johan Söderberg's Tokyo Noise (2002), close up shot of a foot walking up stairs in Tokyo metro wearing long plaid pants and chunky platforms From Jan Röed, Kristian Petri, Johan Söderberg's Tokyo Noise (2002), shot of a VHS blue-tinted video looking screen with title Aikogahara forest, 70 suicides a year From Jan Röed, Kristian Petri, Johan Söderberg's Tokyo Noise (2002), a machine that makes sushi with some human assistance, formed rice is seen on a strange conveyor belt From Jan Röed, Kristian Petri, Johan Söderberg's Tokyo Noise (2002), opening title on grey background with blue text, vertical list that says 2 photographers, 2 robot constructors, 1 professor, 1 priest, 1 psychiatrist, 1 game constructor, 1 editor, 1 noise musician From Sam Green's Annea Lockwood / A Film About Listening (2020), opening title with typo that reads THIS FILM IS ABOUT LISTENING.PLEASE WEAR HEADPHONES IF YOU CAN; THE EXPERIENCE WILL MUCH STRONGER From Sam Green's Annea Lockwood / A Film About Listening (2020), Annea playing among bits of glass as part of her glass concerts in the 1960s From Joshua Safdie's The Pleasure of Being Robbed (2008), close up of Eleanor's hands behind her in handcuffs, red sweater From Joshua Safdie's The Pleasure of Being Robbed (2008), Eleanore in red sweater walks through botanic garden, pictured birds-eye From Luca Guadagnino's The Staggering Girl (2019), close up of feet and legs of Moore in black gown rushing along cobblestones From Luca Guadagnino's The Staggering Girl (2019), Julianne Moore in fancy black gown under fancy black coat sitting outside of a fancy old-fashioned building From Luca Guadagnino's The Staggering Girl (2019), an interior showing table, lamp, fancy chairs, open windows From Chloé Zhao's Songs My Brothers Taught Me (2015), A shot on some houses on the plains, grey skies, with a rainbow emerging on left From Chloé Zhao's Songs My Brothers Taught Me (2015), A girl smiles while receiving a peel-off tattoo on her face From Frances Ford Coppola's The Godfather Part II (1974), Kay in the courtoom, pictured in profile in a pinkish light From Frances Ford Coppola's The Godfather Part II (1974), Pictured from above, a small group of people stand among large olive oil barrels From Frances Ford Coppola's The Godfather Part II (1974), Kay sits in a room sewing at a machine at a table by the window framed by floral curtains From Frances Ford Coppola's The Godfather Part II (1974), The young Godfather holds a burning cloth that has caught flame after he shot the gun concealed inside From Frances Ford Coppola's The Godfather Part II (1974), A big old black steam train takes up the right hand side of frame, left hand side shows the platform From Frances Ford Coppola's The Godfather Part II (1974), The Godfather stands behind a loveseat in a fancy house, framed in golden light against a curatined window From Frances Ford Coppola's The Godfather Part II (1974), The Godfather as a young man stands in front of the food market where he works, holding a basket on his shoulder From Frances Ford Coppola's The Godfather Part II (1974), a window in a bedroom after riddled with gun shots, smoke hangs in the air, making frame smoggy From Frances Ford Coppola's The Godfather Part II (1974), a man rides a donkey through a small Italian village at daybreak From Frances Ford Coppola's The Godfather Part II (1974), a man and a blonde woman lying asleep in a black satin-sheeted bed From Frances Ford Coppola's The Godfather Part II (1974), shot of an Italian mountain village with text 'The Godfather was born Vito Andolini, in the town of Corleone in Sicily From Frances Ford Coppola's The Godfather (1972), a pitcher of red wine on an outdoor picnic table at a party at two thin glasses of wine, ashtray, plates, etc From Frances Ford Coppola's The Godfather (1972), shot of foot coming through the front window of a car, blurred, right up in our face, amazing From Frances Ford Coppola's The Godfather (1972), a large wedding procession of black hearses bedecked in flowers driving through a cemetery, pictured through a field of headstones From Frances Ford Coppola's The Godfather (1972), a large wedding procession of black hearses bedecked in flowers driving through a cemetery From Frances Ford Coppola's The Godfather (1972), interior of bedroom showing pink satin-sheeted bed, pink curtains, floral wallpaper, maybe a little girl's room? sweet, harmonious From Frances Ford Coppola's The Godfather (1972), very wide shot of a village in Italy showing the wedding procession walking down the hill through the village From Frances Ford Coppola's The Godfather (1972), a man lies dead next to a spouting fire hydrant on a street in NYC, people standing around it From Frances Ford Coppola's The Godfather (1972), Michael and his Italian wife walking through the Italian hills, kind of volcanic deserty scrub landscape From Frances Ford Coppola's The Godfather (1972), interior of an old-fashioned 50s diners/restaurant From Frances Ford Coppola's The Godfather (1972), a simple white bread cheese and lettuce sandwich sits on white butcher paper on a desk under a lamp next to a cup of coffee From Frances Ford Coppola's The Godfather (1972), bird's eye shot of Don Corleone getting shot, lying over car, oranges have spilled from the fruit stand nearby onto the street From Frances Ford Coppola's The Godfather (1972), shot under an elevated subway line showing street, very dark and shadowy cut through with bright slivers of light From Frances Ford Coppola's The Godfather (1972), shot of fish wrapped in brown paper and some kind of padded material, like a bullet proof vest, sitting open on someone's lap From Frances Ford Coppola's The Godfather (1972), famous shot of bloody and severed black horse's head in bed From Frances Ford Coppola's The Godfather (1972), shot of a gilded bed, flashy elaborate head board, silver and gold silk sheets From Frances Ford Coppola's The Godfather (1972), wide shot of Don Corleone at desk in study, very dark lit and him in black suit, a man in a white suit sitting with back turned to camera, contrast, harmony From Frances Ford Coppola's The Godfather (1972), a young girl wearing pink socks and white t-strap ballerina slippers dances on the feet of a man on a wooden floor, tender From Frances Ford Coppola's The Godfather (1972), wide shot of Don Corleone's study, dark paneled, dark lit, a man asking for a favour From Alice Rohrwacher's Happy as Lazzaro (2018), mismatched glasses and mugs holding espresso on a tray From CTV Television's Ervin Nyiregyházi documentary (1978), a young boy plays at an old fashioned kids piano in a grand salon room From CTV Television's Ervin Nyiregyházi documentary (1978), close up of hand of young boy playing old fashioned kids piano From CTV Television's Ervin Nyiregyházi documentary (1978), close up of book titled 'The Psychology of a Musical Prodigy' From CTV Television's Ervin Nyiregyházi documentary (1978), close up of tuxedoed arms playing piano in a kind fo fractcal effect From Reiner Holzemer's Martin Margiela: In His Own Words (2019), a shot of an archival Courrèges fashion video showing 1960's boots with the toes cut out From Neon Genesis Evangelion series (1995), Huge fiery outlines of wings shoot out from earth as seen from space From Neon Genesis Evangelion, episode 20 (1995), Shinji sits on a train seat head in his hands bathed in orange sunset light, subtitle reads 'I'm going to impress father. The father that abandoned me!' From Neon Genesis Evangelion, episode 20 (1995), a glass of beer, lighter and ash tray of lipstick stained cigarettes on a shelf From Neon Genesis Evangelion, Episode 1 or 2? (1995), Shinji lies in bed in a sparse hospital room with a dramatic beam of light illuminating him on the bed. We are looking from one end of the room towards the bottom of his bed From Neon Genesis Evangelion, Episode 1 or 2? (1995), girls talk in the classroom, subtitles read 'Part of growing up is trying again and again and using trial and error' From Neon Genesis Evangelion, Episode 1 or 2? (1995), shot of Rei sitting at desk in classroom gazing out the window, bandaged up, all surrounding desk around her empty, substitle reads 'to work out the right distance to avoid hurting each other' From Nobuhiko Ôbayashi's His Motorbike, Her Island (1986), shot of character in a white t-shirt and helmet leaning forward on the handles of their motorcycle while riding a ferry and looking out at the cloudy view of the islands surrounding From Chantal Akerman's The Eighties (1983), headshot of a brunette in a red shot in profile, on righthand side of frame, looking left From Chantal Akerman's The Eighties (1983), a figure in a white skirt suit is seen with back turned in a dark room, to the left of the frame, on the right hand side of the frame some white columns can be seen From Chantal Akerman's The Eighties (1983), the left half of the frame is taken up with a dark grey or taupe curtain. The right side shows a white wall and a shadowy brunette figure leaning up against the wall, pictured from wait up From Mary Lance's Agnes Martin: With My Back to the World (2002), Agnes holding and hidden behind a 5x5 un-gessoed canvas in her painting studio From Mary Lance's Agnes Martin: With My Back to the World (2002), shot of Agnes Martin's painting 'Little Sister' (1962) on a black background, which has brass nails hammered into the canvas in horizontal lines, a grid of ink rectangles has also been applied to the canvas From Mary Lance's Agnes Martin: With My Back to the World (2002), inside of a museum or gallery in one room looking into a another room at an angle, we see bits of three of Agnes' paintings on the walls From Mary Lance's Agnes Martin: With My Back to the World (2002), shot of a 5x5 painting leaning against the wall in her painting studio, unknown work, it shows 8 horizontal powdery baby blue lines with white in between, including at the top and bottom of canvas From Mary Lance's Agnes Martin: With My Back to the World (2002), shot of a lily pads on a large pond with mountains in the background From Mary Lance's Agnes Martin: With My Back to the World (2002), shot of unknown Agnes Martin painting on a black background that shows four thick horizontal taupe? stripes, in between each is a cluster of three stripes white, light yellow, light red From Mary Lance's Agnes Martin: With My Back to the World (2002), shot of unknown Agnes Martin painting, 5x5, leaning up against the wall in her studio. From the left to right, it shows a horizontal lilac band, a horizontal cream band, a horizontal sage green band, a horizontal cream band, a skinny black line down the middle, and the same pattern reflected on the right side, as if in a mirror From Mary Lance's Agnes Martin: With My Back to the World (2002), shot of unknown Agnes Martin painting, 5x5, leaning up against the wall in her studio. From top to bottom, it shows a horizontal light green? band, a purple band in the same thickness (all subsequent purple bands are the same thickness), a green band double the thickness of the first, a purple band, thick green, purple, thick green, purple, thin green From IMA'a Éliane Radigue Portrait (2006), a shot of rippling water, subtitle reads 'It was the two extremes: one to throw it all away, the other to be captivated From IMA'a Éliane Radigue Portrait (2006), vintage sheet paper Radigue used to map out her compositions From IMA'a Éliane Radigue Portrait (2006), birds-eye shot of Radigue writing on one of these sheets of notation paper, which is made up of a strange grid. Subtitle reads 'I draw lines to know my way' From IMA'a Éliane Radigue Portrait (2006), close up on the shiny blue, green and golden knobs on Radigue's ARP 2500 synth From Věra Chytilová's Daisies (1966), Small green apples scattered on a black and white tile floor with a fragment of a leg showing From Věra Chytilová's Daisies (1966), In a very dark bathroom, a daisy crown hangs on a door handle, that subtitle reads 'We're always so busy' From Věra Chytilová's Daisies (1966), A clock, antique lamp stand and huge open jar full of pickles in a chlorella green brine on a side table A birds-eye shot of a restaurant table showing plates of whole fish and many glasses Two hands touch a cut up watermelon on a bureau in front of a wall drawn with numbers and scribbles in black ink A hazy shot of the brunette Maria wearing a towel Headshot of the orange-blonde Maria in her daisy crown, caption reads 'I love you'? Very bright green plush grass fills the frame Kind of iridescent rainbow-tinted water fills the frame The brunette Maria lays in the bottom left of frame with her head floating in the upper right. Room walls are papered in texts, images, scraps, portraits, pictures, who knows mostly in black ink The two Marias dance under a chandelier with a dusk bright blue sky outside, pictured through diamond-rimmed glass panels Overhead shot of a broken plate arranged back in its place setting on the table. Subtitle reads 'We'll be hard=working and everything will be clean' From Věra Chytilová's Vlčí bouda (1987), the film's title is showing in expressive black hand-painted caps on a background showing icy snow From Věra Chytilová's Vlčí bouda (1987), a young girl stands in profile in a very dark, shadowy room, blending into the shadow, her beige puffy vest can be seen and a white and blue painting in the top lefthand corner of the frame From Věra Chytilová's Vlčí bouda (1987), the subtitle '[Music]' shows over a shot of a tall snowy mountain, hazy From Věra Chytilová's Vlčí bouda (1987), the subtitle '[Music]' shows over a shot of dark figures running frantically down a snowy mountain in near darkness From Věra Chytilová's Vlčí bouda (1987), the subtitle '[Music]' shows over a shot of a full moon at night From Martine Syms' Incense Sweaters & Ice (2017), a woman reads on her couch against a large window From Martine Syms' Incense Sweaters & Ice (2017), interior of a very lived-in bedroom showing part of a bed, a cluttered bureau and other furniture From Martine Syms' Incense Sweaters & Ice (2017), interior of a dining room showing dining table, china cabinet, other furniture, walls covered with family photos and a hallway From Martine Syms' Incense Sweaters & Ice (2017), looking into a white bathroom from the hallway, some white sheets are hung in the bathroom drying, white tiles, white door, to the left some red heart-shaped balloons can be seen in another room From Martine Syms' Incense Sweaters & Ice (2017), a woman in pink scrub pants and a black jacket sits on the entrance steps of a drab looking building on her phone, a pop up screen has been edited over the frame showing an mp3 player of some kind that is playing a Tara Birch meditation From Martine Syms' Incense Sweaters & Ice (2017), on a light purple floor, a figure in darker purple heels and wearing a long purple skirt set is walking by, we can only see feet and legs From Haile Gerima's Bush Mama (1979), two characters embrace in deep shadow, light from the window filters in and the wire bed frame is visible, characters very blurred From Haile Gerima's Bush Mama (1979), two figures pictured from behind walk down a city street, black and white film is inverted for dramatic colour effect From Haile Gerima's Bush Mama (1979), birds-eye view of part of a living room, a floral patterned couch and bits of other furniture in view From Haile Gerima's Bush Mama (1979), birds-eye view of part of a living room, a floral patterned couch and bits of other furniture in view, a woman in a summer dress lies in semi-fetal position on the couch From Haile Gerima's Bush Mama (1979), image seen partially reflected through a mirror placed on the floor next to a patterned sheet hung up like a curtain, a woman slouches on the couch with legs out, lazily From Haile Gerima's Bush Mama (1979), artful split-screen style shot where the bottom of a wooden door takes up left-hand side of frame, in right side of frame we see reflected in a mirror a woman lying listlessly on the couch From Haile Gerima's Bush Mama (1979), camera is near the ground pointing into a room with a window and twin wire bed frame, pictured from behind someone is lying on the bed From Robert Altman's Short Cuts (1993), a helicopter lit up in bright pink light flies through a night sky next to pink and aqua text that reads a 'A ROBERT ALTMAN FILM' Inside of a bedroom with floral patterned wallpaper, white doors and a tall dark wood set of drawers with a white phone on top Dark surface of a lake, underneath the surface the white body of a female corpse can be made out The white-socked feet of a cello player sitting behind their instrument, their toes curled up A woman with long blonde hair and in a white sleeveless dress, pictured from behind at an angle, makes a drink in a white kitchen, in front of the kitchen window Close up of a character in a white dress holding their bloodied fist over the sink. A yellow bottle of Joy is at the left side of the sink, and a green tin of Comet on the right Two shot glasses on the ledge of the receptionist's desk in a hospital, one shot glass has a white egg in it A woman with long brown hair and in a purple t-shirt holding a bottle of Budweiser smiles mid-conversation Wide shot of a kitchen, at the sink a character can be seen at the sink from behind, panty-less Dark-lit shot of a liquor cabinet with glasses and flutes A woman sits playing her cello in a closed garage with the car spilling out carbon monoxide From Mira Nair's Mississippi Masala (1991), Mina pictured through a rain-splattered phone booth, from shoulders, talking on the phone From Mira Nair's Mississippi Masala (1991), Mina stands in a phone booth in the rain talking on the phone, shown in profile, smiling From Anne Linsel's Pina Bausch (2006), on a black stage, a woman in a grey long sleeve dress with large glasses and her long curly hair pulled back in a pony tail reads from a small paper she holds in her hands From Anne Linsel's Pina Bausch (2006), on a black stage, a man in a black suit holds up a woman in a blue flowered dress, his hand up her dress and on her back, perhaps holding her between the legs, she is completely stiff, they are shown in profile From Anne Linsel's Pina Bausch (2006), on a black stage, a man in a black suit holds up a woman in a blue flowered dress, the man's back is facing the audience, subtitle says here in white font From Anne Linsel's Pina Bausch (2006), on a black stage, a woman in a blue dress wraps her body into a hug around a man in a black suit, she is being held up with her bent legs around his hips, subtitle reads st in white font From Anne Linsel's Pina Bausch (2006), on a black stage, a woman in a sparkly velvet-looking silver strappy v-neck ball gown and with loose bedhead brown hair, partially obscuring her face, bends one arm at the elbow, her hand flicked down, as if she is in the midst of saying 'oh, no problem' in a sexy way, flicking her hands at the wrist to indicate the 'no problem', subtitle reads go in white font From Krzysztof Kieślowski's 'Dekalog, dziewięć' (1988), a dark wood-paneled room with a long green hanging plant dangling down into the frame From Krzysztof Kieślowski's 'Dekalog, dziewięć' (1988), a close up of a woman's face with her hair pulled back, wearing a brown robe Tsai Ming-liang - Vive L'Amour (1994) Paul Thomas Anderson - Phantom Thread (2017) Krzysztof Kieślowski - Dekalog, osiem (1988) Jerzy Kawalerowicz - Matka Joanna od Aniołów (1961) Jerzy Kawalerowicz - Matka Joanna od Aniołów (1961) Jerzy Kawalerowicz - Matka Joanna od Aniołów (1961) Jerzy Kawalerowicz - Matka Joanna od Aniołów (1961) Jerzy Kawalerowicz - Matka Joanna od Aniołów (1961) Krzysztof Kieślowski - Dekalog, sześć (1988) Krzysztof Kieślowski - Dekalog, sześć (1988) Krzysztof Kieślowski - Dekalog, sześć (1988) Krzysztof Kieślowski - Dekalog, sześć (1988) Krzysztof Kieślowski - Dekalog, pięć (1988) Krzysztof Kieślowski - Dekalog, pięć (1988) Pina Bausch - Café Müller (1978) Pina Bausch - Café Müller (1978) Pina Bausch - Café Müller (1978) Pina Bausch - Café Müller (1978) Flavio Mogherini - The Pajama Girl Case (1977) Flavio Mogherini - The Pyjama Girl Case (1977) Flavio Mogherini - The Pyjama Girl Case (1977) Flavio Mogherini - The Pyjama Girl Case (1977) Flavio Mogherini - The Pyjama Girl Case (1977) Flavio Mogherini - The Pyjama Girl Case (1977) Flavio Mogherini - The Pyjama Girl Case (1977) Flavio Mogherini - The Pyjama Girl Case (1977) Kathleen Collins - Losing Ground (1982) Kathleen Collins - Losing Ground (1982) Kathleen Collins - Losing Ground (1982) Kathleen Collins - Losing Ground (1982) Kathleen Collins - Losing Ground (1982) Kathleen Collins - Losing Ground (1982) Kathleen Collins - Losing Ground (1982) Krzysztof Kieślowski - Dekalog, cztery (1988) Krzysztof Kieślowski - Dekalog, cztery (1988) Krzysztof Kieślowski - Dekalog, cztery (1988) Krzysztof Kieślowski - Dekalog, cztery (1988) Krzysztof Kieślowski - Dekalog, trzy (1988) Krzysztof Kieślowski - Dekalog, trzy (1988) Krzysztof Kieślowski - Dekalog, trzy (1988) Wim Wenders - Lisbon Story (1994) Wim Wenders - Lisbon Story (1994) Krzysztof Kieślowski - Dekalog, dwa (1988) Krzysztof Kieślowski - Dekalog, dwa (1988) Krzysztof Kieślowski - Dekalog, dwa (1988) Krzysztof Kieślowski - Dekalog, dwa (1988) Krzysztof Kieślowski - Dekalog, jeden (1988) Krzysztof Kieślowski - Dekalog, jeden (1988) Krzysztof Kieślowski - Dekalog, jeden (1988) Krzysztof Kieślowski - Dekalog, jeden (1988) Krzysztof Kieślowski - Dekalog, jeden (1988) Krzysztof Kieślowski - Dekalog, jeden (1988) Krzysztof Kieślowski - Dekalog, jeden (1988) Krzysztof Kieślowski - Dekalog, jeden (1988) Julie Dash - Illusions (1982) Gakuryû Ishii - August in the Water (1995) Gakuryû Ishii - August in the Water (1995) Gakuryû Ishii - August in the Water (1995) Gakuryû Ishii - August in the Water (1995) Gakuryû Ishii - August in the Water (1995) Gakuryû Ishii - August in the Water (1995) Gakuryû Ishii - August in the Water (1995) Gakuryû Ishii - August in the Water (1995) Gakuryû Ishii - August in the Water (1995) Gakuryû Ishii - August in the Water (1995) Gakuryû Ishii - August in the Water (1995) Robert Altman - Images (1972) Robert Altman - Images (1972) Robert Altman - Images (1972) Robert Altman - Images (1972) Robert Altman - Images (1972) Robert Altman - 3 Women (1977) Robert Altman - McCabe and Mrs. Miller (1971) Robert Altman - McCabe and Mrs. Miller (1971) Robert Altman - Quintet (1979) Robert Altman - Quintet (1979) Robert Altman - Quintet (1979) Robert Altman - Come Back to the Five and Dime, Jimmy Dean, Jimmy Dean (1982) Robert Altman - Come Back to the Five and Dime, Jimmy Dean, Jimmy Dean (1982) Robert Altman - That Cold Day in the Park (1969) Robert Altman - That Cold Day in the Park (1969) Robert Altman - That Cold Day in the Park (1969) Robert Altman - That Cold Day in the Park (1969) Robert Altman - That Cold Day in the Park (1969) Robert Altman - That Cold Day in the Park (1969) Chantal Akerman - Toute une nuit (1982) Chantal Akerman - Toute une nuit (1982) Chantal Akerman - Toute une nuit (1982) Chantal Akerman - Toute une nuit (1982) Chantal Akerman - Toute une nuit (1982) Chantal Akerman - Toute une nuit (1982) Chantal Akerman - Toute une nuit (1982) Chantal Akerman - Toute une nuit (1982) Chantal Akerman - Toute une nuit (1982) Chantal Akerman - Toute une nuit (1982) Chantal Akerman - Toute une nuit (1982) Chantal Akerman - Toute une nuit (1982) Chantal Akerman - Toute une nuit (1982) Chantal Akerman - Toute une nuit (1982) Chantal Akerman - Toute une nuit (1982) Chantal Akerman - Toute une nuit (1982) Chantal Akerman - Toute une nuit (1982) Chantal Akerman - Toute une nuit (1982) Robert Altman - A Perfect Couple (1979) Robert Altman - A Perfect Couple (1979) Robert Altman - A Perfect Couple (1979) Robert Altman - A Perfect Couple (1979) Daphné Hérétakis - The Seaweed In Your Hair (2016) Daphné Hérétakis - The Seaweed In Your Hair (2016) Daphné Hérétakis - The Seaweed In Your Hair (2016) Daphné Hérétakis - The Seaweed In Your Hair (2016) Daphné Hérétakis - The Seaweed In Your Hair (2016) Daphné Hérétakis - The Seaweed In Your Hair (2016) frutto - mix for c- tv (2020) frutto - mix for c- tv (2020) frutto - mix for c- tv (2020) frutto - mix for c- tv (2020) frutto - mix for c- tv (2020) frutto - mix for c- tv (2020) frutto - mix for c- tv (2020) frutto - mix for c- tv (2020) frutto - mix for c- tv (2020) Yoji Kuri - Ai (1962) Yoji Kuri - Ai (1962) Yoji Kuri - Aos (1964) Thomas Reichman - Mingus: Charlie Mingus 1968 (1968) Thomas Reichman - Mingus: Charlie Mingus 1968 (1968) Thomas Reichman - Mingus: Charlie Mingus 1968 (1968) Thomas Reichman - Mingus: Charlie Mingus 1968 (1968) Thomas Reichman - Mingus: Charlie Mingus 1968 (1968) Peter Greenaway - 26 Bathrooms (1985) Peter Greenaway - 26 Bathrooms (1985) Peter Greenaway - 26 Bathrooms (1985) Peter Greenaway - 26 Bathrooms (1985) Peter Greenaway - 26 Bathrooms (1985) Peter Greenaway - 26 Bathrooms (1985) Federico Fellini - 8 1/2 (1963) Carles Congost - Supercampeón (2000) Carles Congost - Supercampeón (2000) Hayao Miyazaki - Castle in the Sky (1989) Hayao Miyazaki - Castle in the Sky (1989) Unknown video by Chris and Cosey Julie Dash - Daughters of the Dust (1991) Peter Greenaway - Drowning by Numbers (1988) Peter Greenaway - Drowning by Numbers (1988) Peter Greenaway - Drowning by Numbers (1988) Peter Greenaway - Drowning by Numbers (1988) Peter Greenaway - Drowning by Numbers (1988) Peter Greenaway - The Falls (1980) Peter Greenaway - The Falls (1980) Peter Greenaway - The Falls (1980) Peter Greenaway - The Falls (1980) Peter Greenaway - The Falls (1980) Peter Greenaway - The Falls (1980) Hiroshi Teshighara - Antonio Gaudí (1984) Hiroshi Teshighara - Antonio Gaudí (1984) Hiroshi Teshighara - Antonio Gaudí (1984) Hiroshi Teshighara - Antonio Gaudí (1984) Hiroshi Teshighara - Antonio Gaudí (1984) Hiroshi Teshighara - Antonio Gaudí (1984) Hiroshi Teshighara - Antonio Gaudí (1984) Gus Van Sant - To Die For (1995) Chantal Akerman - Je tu il elle (1975) Chris Marker - Junkopia (1981) Chris Marker - Le mystère Koumiko (1965) George Kuchar - Ascension of the Demonoids (1985) George Kuchar - Ascension of the Demonoids (1985) George Kuchar - Ascension of the Demonoids (1985) George Kuchar - Ascension of the Demonoids (1985) George Kuchar - Ascension of the Demonoids (1985) Chantal Akerman - La chambre (1972) Lucrecia Martel - La Ciénaga (2001) Jean Cocteau - Le Sang D'un Poète (1930) Chris Marker - Theory of Sets (1990) Chris Marker - Theory of Sets (1990) Chris Marker - Sans Soleil (1983) Robert Bresson - Mouchette (1967) Robert Altman - Nashville (1975) Todd Haynes - Poison (1990) Yvonne Rainer - A Film about a Woman Who... (1974) Chantal Akerman - Saute ma ville (1968) Pier Paolo Pasolini - Teorema (1968) Pier Paolo Pasolini - Teorema (1968) Pier Paolo Pasolini - Teorema (1968) Pier Paolo Pasolini - Teorema (1968) Pier Paolo Pasolini - Teorema (1968) Pier Paolo Pasolini - Teorema (1968) Alfred Hitchcock - Vertigo (1958)

watching always like/for (log), home