watching always like/for (log), home

Hal Hartley - Simple Men (1992), elina in white and black striped shirt Agnès Varda - Along the Coast (1958), colourful umbrellas on the beach closed Agnès Varda - Along the Coast (1958), adult and child pictured from behind wearing matching yellow sun hats and yellow terrycloth cover up Agnès Varda - Along the Coast (1958), back of a stone grecian statue woman against summer blue sky Doris Wishman - Bad Girls Go to Hell (1965), a blonde lies in bed with dramatic shadows on face rom window Doris Wishman - Bad Girls Go to Hell (1965), a blonde reads newspaper on street white gloves black and white blonde white 60s glasses Jerzy Kawalerowicz - Cień (1956), a young girl with brown hair and kind of stick out ears Jerzy Kawalerowicz - Cień (1956), man with wooden legs getting out of car Terrence Malick - Days of Heaven (1978), old-fashioned red place Terrence Malick - Days of Heaven (1978), wine glass at bottom of  a river Terrence Malick - Days of Heaven (1978), parasol in a wheat field Terrence Malick - Days of Heaven (1978), decanter with red liquid and two glasses on a side table infront of a window Terrence Malick - Days of Heaven (1978), young girl in a sunset field Terrence Malick - Days of Heaven (1978), silhouette of strawman in field under orange clouds Terrence Malick - Days of Heaven (1978), old stream train on a high bridge pictured from far away François Truffaut - The 400 Blows (1969), three young girls behind grates of a cage in black and white Suzana Amaral - A Hora da Estrela (1985), girl sitting with hibiscus flower in her lap Suzana Amaral - A Hora da Estrela (1985), girl sitting with hibiscus flower in her lap Suzana Amaral - A Hora da Estrela (1985), a red flower maybe hibiscus in a  glass on a desk Wojciech Has - Pożegnania (1958), two girls in polka dot 50s dresses with white gauzy scarf around arms light each other's cigarette before a fountain Masato Harada - Bounce Ko Gals (1997), blurry pic of girl looking out train window with big red scarf tied to backpack Agnes Varda - Kung Fu Master (1988), young boy sits in bed in candlelight Krzysztof Kieślowski - Trzy Kolory: Czerwony (1994), spilled glass on a pool table with some other stuff about Agnes Varda - La Pointe-Courte (1955), a couple lie in bed with the subtitle the bond between us is stronger than we are Agnes Varda - La Pointe-Courte (1955), women in humble 1950s dresses gathered in a doorway Hal Hartley - The Unbelievable Truth (1989), nameplates in door bell one being harold budd Hal Hartley - The Unbelievable Truth (1989), blonde in cafe looking annoyed Hal Hartley - The Unbelievable Truth (1989), blonde in black john lennon round glasses with smear of lipstick on one side of face, looking like batman's joker Hal Hartley - The Unbelievable Truth (1989), looking over the s houlder of someone whose back it turns to us we see a stunning blonde looking desperate and forlorn and passionate and hot Hal Hartley - The Unbelievable Truth (1989), girl in bed in floral sheets Agnieszka Holland, Jerzy Domaradzki, Paweł Kędzierski (1977), Girls standing around at a party Agnieszka Holland, Jerzy Domaradzki, Paweł Kędzierski (1977), Close up of girl at party Barbara Sass - Pajęczarki (1993), name EWA scratched into bottom of sneaker Barbara Sass - Pajęczarki (1993), 90s blue computer screen that reads where is the money in polish typed over and over again Barbara Sass - Pajęczarki (1993), 90s blue computer screen that reads where is the money in polish typed over and over again and then in English I dont know Jean Luc Godard - 2 or 3 Things I Know About Her (1967), red felt tip handwriting on a page Peter Greenaway -  The Belly of an Architect (1987), still life with stacked books glasses fresh figs Peter Greenaway - The Draughtsman's Contract (1982), Hand in black glove drawing on paper Peter Greenaway - A Zed & Two Noughts (1985), bowl of green granny smith apples Peter Greenaway - A Zed & Two Noughts (1985), grand room with women in bed Francois Truffaut - Jules et Jim (1962), SABINE Francois Truffaut - Jules et Jim (1962), dark pastoral scene with bridge and woman in white running thru it Agnes Varda - Lions Love (1969), Viva looking in camera Agnes Varda - Lions Love (1969), Tree with red flowers Agnes Varda - Lions Love (1969), Viva smelling purple orchid Agnes Varda - Lions Love (1969), Viva in red dress with white collar Agnes Varda - Lions Love (1969), Viva in red dress sitting looking forlorn Agnes Varda - Lions Love (1969), Viva in bed reading with huge vase of fake passion flowers Agnes Varda - Lions Love (1969), bowl with plastic fruit Werner Schroeter - Malina (1991), Isabelle Huppert backlit by blue sky looking perfect Werner Schroeter - Malina (1991), Isabelle Huppert in a reddish nightgown stumbling around empty room full of candles on floor Werner Schroeter - Malina (1991), Isabelle Huppert in amazing dress with open back and silky shawl detail Werner Schroeter - Malina (1991), Isabelle Huppert in amazing dress with open back and silky shawl detail Werner Schroeter - Malina (1991), Isabelle Huppert in profile in flower shop looking perfect Werner Schroeter - Malina (1991), Isabelle Huppert in profile in flower shop looking perfect Werner Schroeter - Malina (1991), Isabelle Huppert in profile looking perfect Robert Bresson - Diary of a Country Priest (1951), girl with cool pins in hair standing in profile at a window Robert Bresson - Diary of a Country Priest (1951), spilt bottle of wine smashed on floor Jon Jost - All the Vermeers in New York (1990), women in sunglasses in new york city skyline in red jacket Jon Jost - All the Vermeers in New York (1990), two women drinking red wine at a wood table Jon Jost - All the Vermeers in New York (1990), overheadshot of bed with checkered red and white pillow Miloš Forman - Amadeus (1984), young mozart playing with blindfold Donna Deitch - Desert Hearts (1985), beautiful brunette in bath Frédéric Tcheng - Halston (2019), mirrored red room close up of blurry legs in black running Frédéric Tcheng - Halston (2019), Interior of Halston boutique lots of reds Frédéric Tcheng - Halston (2019), Interior of Halston office super mirrorry and red Piotr Szulkin - Golem (1980), hand holding grains Claude Chabrol - La Cérémonie (1995), two women sit on floor with one arm each around each other Piotr Szulkin - Zycie codzienne (1976), overhead shot of table and couple sharing a meal Piotr Szulkin - Zycie codzienne (1976), overhead shot of table and couple sharing a meal Piotr Szulkin - Zycie codzienne (1976), overhead shot of table and couple sharing a meal Piotr Szulkin - Zycie codzienne (1976), overhead shot of table and couple sharing a meal Piotr Szulkin - Femina (1990), woman in a kind of cage warped angle Andrzej Barański - Tabu (1988), woman in mourning attire standing with back turned in dark room Andrzej Barański - Tabu (1988), woman in mourning attire sitting in church looking at the heavens crying stunned Andrzej Barański - Tabu (1988), white enamel wash basin jug towel hanging from wall draped a bit over the side Andrzej Barański - Tabu (1988), windowsill with bottles and jars Andrzej Barański - Tabu (1988), blonde in half profile with very curly long hair, poofy, sun shining thru Andrzej Barański - Tabu (1988), blonde girl in profile sitting on chair playing with hair Andrzej Barański - Tabu (1988), blonde girl in profile wearing headscarf Andrzej Barański - Tabu (1988), close up of blonde girl looking lusty Eric Rohmer - The Kreutzer Sonata (1956), ballerina with short brown hair sitting by piano Eric Rohmer - Four Adventures of Reinette and Mirabelle (1987), brown haired girl in red cardigan Eric Rohmer - Four Adventures of Reinette and Mirabelle (1987), Reinette and Mirabelle sleeping Eric Rohmer - Four Adventures of Reinette and Mirabelle (1987), grassy field with poppies Richard Linklater - Slacker (1990), brown-haired girl looks down at a photo János Xantus - Eszkimo asszony fazik (1984), Trabant bands itting around and Mari in crazy plastic accented dress János Xantus - Eszkimo asszony fazik (1984), Feet in red shows and feet in blak boots standing above makeshift grave in yard János Xantus - Eszkimo asszony fazik (1984), Hands with orange nail polish looking through small address book János Xantus - Eszkimo asszony fazik (1984), Hands writing in orange in a notebook or piece of paper János Xantus - Eszkimo asszony fazik (1984), Mari lying on her stomach in bed without underwear János Xantus - Eszkimo asszony fazik (1984), Stacks of cassette tapes in holder in a house János Xantus - Eszkimo asszony fazik (1984), Shot on sidewalk of man walking away and snail crossing sidewalk Giuseppe De Santis - Bitter Rice( 1949), Women walking along roadside ricefield edge Giuseppe De Santis - Bitter Rice( 1949), Francesca in profile Giuseppe De Santis - Bitter Rice( 1949), Silvana in profile pulling up her stockings on her leg Georges Nasser - Where to? (1957), Two young girls hugging Otto Preminger - Bonjour Tristesse (1958), Blonde with pixie cut driving in a car  Andrzej Munk - Spacerek staromiejski (1958), title screen of movie, hand done cute font Miloš Forman - Black Peter (1964), Dance floor at party Miloš Forman - Black Peter (1964), Inside of a restaurant cool lamps on the ceiling Miloš Forman - Black Peter (1964), Shot from inside a shop window looking out stuff hanging in the window Miloš Forman - The Firemen's Ball (1967), Someone's furniture outside in the snow sleeping in bed Miloš Forman - The Firemen's Ball (1967), Line of young girls Miloš Forman - The Firemen's Ball (1967), Line of young girls looking annoyed Miloš Forman - The Firemen's Ball (1967), 3 women Miloš Forman - The Firemen's Ball (1967), Shot of gift/raffle table Miloš Forman - The Firemen's Ball (1967), Man on lader tending to a mural hanging on ceiling Krzysztof Kieślowski - Bez końca (1985), A couple walking blurrily away Krzysztof Kieślowski - Bez końca (1985), woman in black sitting on floor in front of open oven Krzysztof Kieślowski - Bez końca (1985), Woman in black walks through her home Krzysztof Kieślowski - Bez końca (1985), Woman picking at a hole in her blue stocking at the toe Krzysztof Kieślowski - Bez końca (1985), Close up of blonde man in blue button up shirt Krzysztof Kieślowski - Bez końca (1985), Two cups of instant coffee in a kitchen Martín Rejtman - Silvia Prieto (1999), Close up on silvia in profile Martín Rejtman - Silvia Prieto (1999), Inside an awesome bathroom Martín Rejtman - Silvia Prieto (1999), Two people sitting at cafe table, subtitle reads I served 48 black coffees, 20 espressos, and 15 lattes Andrzej Munk - Pasażerka (1963), Shot of woman with pixie cut Chantal Akerman - Portrait of a Young Girl at the End of the ’60s in Brussels (1994), A large field at dawn or dusk and figures approaching Chantal Akerman - Portrait of a Young Girl at the End of the ’60s in Brussels (1994), Girl in blue and white breton stripes looking out tram window Chantal Akerman - Portrait of a Young Girl at the End of the ’60s in Brussels (1994), two couples in a bar kissing Chantal Akerman - Portrait of a Young Girl at the End of the ’60s in Brussels (1994), Close up of hands writing in notebook holding cigarette Eric Rohmer - The Marquise of O (1976), Marquise in bed looking so sad Eric Rohmer - The Marquise of O (1976), Marquise sewing next to a harp by candlelight Eric Rohmer - The Marquise of O (1976), Marquise lying in white nightgown on red bed looking like a painting Bruno Barreto - Dona Flor and Her Two Husbands (1976), Dona Flor cooking in kitchen Ken McMullen - Ghost Dance (1983), Pascale Ogier in profile wearing denim Ken McMullen - Ghost Dance (1983), Pascale Ogier in profile facing into another scene Ken McMullen - Ghost Dance (1983), Pascale Ogier in profile Ken McMullen - Ghost Dance (1983), Pascale Ogier sits on couch in black and white subtitles say Too many words Ken McMullen - Ghost Dance (1983), Pascale Ogier sits on couch in black and white subtitles say I'll never make it Ken McMullen - Ghost Dance (1983), interior of a house with table in black and white Krzysztof Kieślowski - Przypadek (1987), woman sitting at a table with feet up after a party Krzysztof Kieślowski - Przypadek (1987), woman at a table writing Krzysztof Kieślowski - Przypadek (1987), woman at a table writing Krzysztof Kieślowski - Przypadek (1987), shot of a kitchen thru a doorway Krzysztof Kieślowski - Przypadek (1987), girl's face thru train window Krzysztof Kieślowski - Przypadek (1987), hand holding a spilled glass with straw on ground Eric Rohmer - The Bakery Girl of Monceau (1963), close up of bakery girl Eric Rohmer - Nadja in Paris (1964), red wine being poured into amazing wine glass Eric Rohmer - Fermière à Montfaucon (1967), shot of farm in winter Eric Rohmer - Fermière à Montfaucon (1967), a woman draws an outline of cow in a book Eric Rohmer - Fermière à Montfaucon (1967), a woman whacks apples out of a tree Eric Rohmer - Fermière à Montfaucon (1967), a mother attaches a satchel to back of son's bike while he sits on bike waiting to ride away to school Eric Rohmer - Les Signe du Lion (1962), Godard looping a record on a gramophone Eric Rohmer - Suzanne's Career (1963), close up of handsome young man with real cheekbones Eric Rohmer - Suzanne's Career (1963), glasses and bottles on a table in bar Eric Rohmer - Suzanne's Career (1963), three people lay their hands flat on a small table, pictured from above Eric Rohmer - A Good Marriage (1982), women in profile looks out train window Eric Rohmer - A Good Marriage (1982), print on wall over mantle with objects Jacques Rivette - Celine and Julie Go Boating (1974), hallway, doorway, blue smoky light lue glass bottles to the right on ashelf Jacques Rivette - Celine and Julie Go Boating (1974), woman seen through doorway going through clothes in a trunk in an attic Jacques Rivette - Celine and Julie Go Boating (1974), one woman's bloody hand being cleaned by another's in sink Jacques Rivette - Celine and Julie Go Boating (1974), Celine filling out hotel card occupation as magicienne Eric Rohmer - Pauline at the Beach (1983), Girl sits at lunch table over plates of fruit Eric Rohmer - Pauline at the Beach (1983), shot of outside of cottage with flower bushes Eric Rohmer - Full Moon in Paris (1984), women at a simple cafe table, looking forlorn Eric Rohmer - Full Moon in Paris (1984), women lies on a couch in a very grey room Eric Rohmer - Full Moon in Paris (1984), women sitting on bed in grey room next to amazing lamps Eric Rohmer - Full Moon in Paris (1984), women standing on a dancefloor in amazing outfits Eric Rohmer - Full Moon in Paris (1984), interior shot of apartment Eric Rohmer - Full Moon in Paris (1984), interior shot of apartment Eric Rohmer - Full Moon in Paris (1984), interior shot of apartment Philip Kaufman - The Unbearable Lightness of Being (1988), Binoche topless laying face down on couch looking back to camera Philip Kaufman - The Unbearable Lightness of Being (1988), Binoche on an escalator, pulling at the neck of her turtleneck Philip Kaufman - The Unbearable Lightness of Being (1988), people fleeing prague after russian invasion Philip Kaufman - The Unbearable Lightness of Being (1988), close up on juliette binche looking flushed and freaked Philip Kaufman - The Unbearable Lightness of Being (1988), woman in black underwear pictured from behind on hands and knees on a mirror on the ground, man reflected in mirror Eric Rohmer - My Girlfriend's Boyfriend (1987), Blanche close up in red sweater holding flower Eric Rohmer - My Girlfriend's Boyfriend (1987), Blanche's front door and drawers Eric Rohmer - My Girlfriend's Boyfriend (1987), Blance sitting on floor next to coffee table drinking an orange drink Eric Rohmer - My Girlfriend's Boyfriend (1987), white bookshelf in room Eric Rohmer - My Girlfriend's Boyfriend (1987), office worker in a red 80s top and white skirt Lizzie Borden - Born in Flames (1983), close up of blond looking upset, perturbed Lizzie Borden - Born in Flames (1983), close up of someone getting haircut Lizzie Borden - Born in Flames (1983), three women work in a newspaper office Lizzie Borden - Born in Flames (1983), on the MTA subway, orange seats Lizzie Borden - Born in Flames (1983), two brunettes spooning in bed Eléonore Huisse, François J. Bonnet - Échos (2021), close up of Eliane Radigue's ARP Konrad Królikowski - Bloki (2017), In Polish apartment block apartment with large window man stands in window looking out surrounded by many plants Robert Altman - Prêt-à-porter (1994), Part of photo shoot showing models wearing red cowboy boots and one black boot Robert Altman - Prêt-à-porter (1994), Someone wearing one white shoe and one light green shoe of the same style Robert Altman - Prêt-à-porter (1994), Two models walk down runway in Issey Miyake fashion show with huge curly wigs and shirt and pants outfits Robert Altman - Prêt-à-porter (1994), Group photo of fashion designers, like school photo Robert Altman - A Wedding (1978), A line of people sitting on a low wall in front of a glass house on grass lawn, kind of misty Robert Altman - A Wedding (1978), A line of people sitting on a low wall in front of a glass house on grass lawn, kind of misty Eiichi Yamamoto - Belladonna of Sadness (1974), white cloaked woman poised at bottom of a staircase Eiichi Yamamoto - Belladonna of Sadness (1974), a page pours a purple liquid in his mistress' cup Eiichi Yamamoto - Belladonna of Sadness (1974), people in colourful peasant garb dancing together pictured from above Eiichi Yamamoto - Belladonna of Sadness (1974), Jeanne as black sphinx Eiichi Yamamoto - Belladonna of Sadness (1974), On white background Jeanne stands in green cloak with caption That woman is possessed by the Devil. Walter Hugo Khouri - As Filhas do Fogo (1978), close up of two women kissing one with hand on other's neck Walter Hugo Khouri - As Filhas do Fogo (1978), women lies in fetal position on bed, forlorn Walter Hugo Khouri - As Filhas do Fogo (1978), someone dippng hands into a bucket of white feathers Walter Hugo Khouri - As Filhas do Fogo (1978), someone dippng hands into a bucket of white feathers Walter Hugo Khouri - As Filhas do Fogo (1978), someone dippng hands into a bucket of white feathers Walter Hugo Khouri - As Filhas do Fogo (1978), foggy morning view over red field Walter Hugo Khouri - As Filhas do Fogo (1978), looking up to a turret tower in mansion Walter Hugo Khouri - As Filhas do Fogo (1978), riding motorbike through grass with yellow text Made in Brazil Walter Hugo Khouri - As Filhas do Fogo (1978), weird blur from sauna to green jar I think Walter Hugo Khouri - As Filhas do Fogo (1978), two girls lie in dry sauna Miloš Forman- Loves of a Blonde (1965), three people lie crammed in bed under duvet covers like the one I have with the cut out diamond on it showing silky side of duvet Miloš Forman- Loves of a Blonde (1965), someone lies under covers with a duvet cover like the one I have with the cut out diamond to show the silky side of duvet Miloš Forman- Loves of a Blonde (1965), 1960s Prague kitchen Miloš Forman- Loves of a Blonde (1965), blonde in profile looks in bathroom mirror and holds out her arms straight wearing a large black woolen coat Miloš Forman- Loves of a Blonde (1965), Acoustic guitar on table next to a bottle of milk and other items Miloš Forman- Loves of a Blonde (1965), brunette site straight on holding acoustic guitar From Krzysztof Rogulski - Wielka Majówka (1981), plain cup on a surface catching raindrops from roof From Krzysztof Rogulski - Wielka Majówka (1981), upside down clear plastic umbrella hanging from roof From Krzysztof Rogulski - Wielka Majówka (1981), close up of singer Kora wearing black glasses, lipstick, white silk scarf, and one earring with pearl From Krzysztof Rogulski - Wielka Majówka (1981), country children lined up on a fence From Dario Argento's Suspiria (1977), Pictured through a lightbulb on ceiling two girls lie or sit on bed From Dario Argento's Suspiria (1977), Close up of rim of glass with red wine and a door in background From Dario Argento's Suspiria (1977), Hallway with very dark walls and red lights and drapings From Dario Argento's Suspiria (1977), Woman in a reddish brown trench coat stands in a room elaborately decorated in red Italo deco style From Robert Ashley's Perfect Lives Act 1: The Park (Privacy Rules) (1983), Blurry green trees From Robert Ashley's Perfect Lives Act 1: The Park (Privacy Rules) (1983), Blurry green trees From Robert Ashley's Perfect Lives Act 1: The Park (Privacy Rules) (1983), Flash of lightning on white background From Mike Nichols's The Graduate (1967), Tiny person banging on huge church window pictured from below From Mike Nichols's The Graduate (1967), Brunette stands in doorway back turned From Mike Nichols's The Graduate (1967), Dark shot of attic room From Mike Nichols's The Graduate (1967), Blurry shot of people looked at from below blown out by sun From Hiroshi Ishikawa's Tokyo.Sora (2002), Overhead shot of a large piece of paper on a wooden table with a plant and pencil on paper, books also seen on floor in corner From Hiroshi Ishikawa's Tokyo.Sora (2002), a woman sits in the bath smoking in blue water From Hiroshi Ishikawa's Tokyo.Sora (2002), a woman sits in the bath smoking in blue water From Hiroshi Ishikawa's Tokyo.Sora (2002), a woman sits in the bath smoking in blue water From Hiroshi Ishikawa's Tokyo.Sora (2002), a woman sits on the floor at her writing table in a studio apartment, her back is turned to camera From Matt Wolf's Wild Combination: A Portrait of Arthur Russell (2008), close up of Arthur's cello neck From Matt Wolf's Wild Combination: A Portrait of Arthur Russell (2008), 35mm? video of soft serve ice cream cone in Gem Spa From Matt Wolf's Wild Combination: A Portrait of Arthur Russell (2008), shot of some of the gear in Arthur's home studio From Matt Wolf's Wild Combination: A Portrait of Arthur Russell (2008), Shot of a country road under dark grey stormy sky in Iowa From Matt Wolf's Wild Combination: A Portrait of Arthur Russell (2008), Shot of what fields under blue sky in Iowa From Yohji Yamamoto's A/W 1989 Women's show, lone model at far end of runway wearing long dress with cut out shoulders From Yohji Yamamoto's A/W 1989 Women's show, model at front of runway, turning, wearing long dress with cut out shoulders From Yohji Yamamoto's A/W 1989 Women's show, two models backs turned to camera walking to the back of runway in long dresses with cut out shoulders From Yohji Yamamoto's A/W 1989 Women's show, long model walks towards front of runway in dark pant suit with huge with bow tie From Yohji Yamamoto's A/W 1989 Women's show, three models on the runway wearing black and white colour block t-shirts From Yohji Yamamoto's A/W 1989 Women's show, three models on the runway wearing black and white colour block t-shirts From Yohji Yamamoto's A/W 1989 Women's show, three models on the runway wearing black and white colour block t-shirts From Yohji Yamamoto's A/W 1989 Women's show, lone model wearing all dark outfit (maybe long dress? with pockets) with a straw sunhat with black ribbon From Yohji Yamamoto's A/W 1989 Women's show, two models walking around from camera in black dresses and each wearing a hat From Yohji Yamamoto's A/W 1989 Women's show, model wearing all white kind of flapper day boating outfit, long skirt and button up blouse, with umbrella and hat From Yohji Yamamoto's A/W 1989 Women's show, two models walking away from the camera, near back on stage now, each in black outfit with black frilly umbrellas open From Marcie Begleiter's Eva Hesse (2016), archival photo of Hesse shortly before her death sitting in her studio in red sweater From Marcie Begleiter's Eva Hesse (2016), shot of a bit of Hesse's work Accretion with subtitle reading Fragile, beautiful, tentative From Wim Wenders's Notebook on Cities and Clothes (1989), the legs of models in Paris runway show rehearsal walking, blurred From Wim Wenders's Notebook on Cities and Clothes (1989), the legs of a model in Paris runway show rehearsal, in black flats, posed like a ballerina From Wim Wenders's Notebook on Cities and Clothes (1989), left hand side of frame is Paris as seen through a front car windshield. Righthand side is screen of Wim's video camera showing Yohji sitting in his studio From Wim Wenders's Notebook on Cities and Clothes (1989), a tangle of overpasses with pink sides, I think in Tokyo From Susan Cianciolo's Films and Collaborations 1996-2012, a woman in a long red dress? or red outfit with some black details lies face down in a kind of rope structure or hammock From Susan Cianciolo's Films and Collaborations 1996-2012, close up blurred shot of I think red flowers From Susan Cianciolo's Films and Collaborations 1996-2012, a brunette in a grey? skirt and red short sleeve crop top with exaggerated collar stands in front of some kind of sculpture in a white room From Susan Cianciolo's Films and Collaborations 1996-2012, shot from neck to thighs, a woman in a long sleeve top layered under white camisole layered under red sleeveless top tied at the waist, in a beige skirt, stands in front of a cityscape that looks like NYC From Roman Polanski's Repulsion (1965), shot in black and white a plate of fish and chips, very crispy fish From Andrzej Żuławski's The Devil (1972), a woman shown close up lies on the ground, holding a switchblade up to her neck From Andrzej Żuławski's The Devil (1972), a blonde spins around in the snow From Andrzej Żuławski's The Devil (1972), shows birds-eye, the devil in his black cloak sits in a darkly lit tree From Andrzej Żuławski's Possession (1981), Anna in subway station about to smash her shopping net bag against the wall From Andrzej Żuławski's Possession (1981), Close up on Anna in blue dress and gauze around her neck From Andrzej Żuławski's Possession (1981), Anna in the doorway in blue dress and gauze around her neck, shown from waist up From Andrzej Żuławski's Possession (1981), shot from below, Anna puts meat into a meat grinder with a rapt saintly looking-skyward gaze From Éric Rohmer's L'Amour l'après-midi (1972), Zouzou lying naked in bed, smiling From Éric Rohmer's La Collectionneuse (1967), Haydee on her back on the sand looking up at Adrian we see her as if from Adrian's perspective who is looking down at her, although the camera is above the back of Adrian's head From Éric Rohmer's La Collectionneuse (1967), Daniel standing outside on balcony wearing a purple robe underneath a white cape type thing From Éric Rohmer's La Collectionneuse (1967), Daniel looking in mirror looking kind of theatrically pensive camera looking over his shoulder From Éric Rohmer's La Collectionneuse (1967), Daniel high lying on loveseat with his blue glasses on holding up his hand in circle shape in front of his eye From Éric Rohmer's La Collectionneuse (1967), Daniel sitting on windowsill in a mustard and olive striped polo smiling kind of, cigarette smoke lightly blowing up in front of him From Éric Rohmer's La Collectionneuse (1967), Adrian in bed at night with a lamp on with a red lampshade turned away from camera that looks up at him from end of bed, reaching over towards lamp, side table From Éric Rohmer's La Collectionneuse (1967), Looking into a small room a bright sunny window on the opposite wall can see a chair clearly and a model boat on a table From Éric Rohmer's La Collectionneuse (1967), Shot of a cluttered desk with all sorts of stuff on it like baseballs, liquor bottles so dense can't even really see the desk From Werner Herzog's Stroszek (1977), Eva bending down by a birdcage with a black and orange bird inside, in black, hair obscuring her face From Werner Herzog's Stroszek (1977), wide shot of Bruno in a grey building courtyard with his glockenspiel and accordian From Werner Herzog's Stroszek (1977), close up of brunette with curly hair (Eva) looking kind of pouty sad From Claudia Weill's Girlfriends (1978), close up of brunette with curly hair and a purple clip in it From Claudia Weill's Girlfriends (1978), close up of a wall painted red From Claudia Weill's Girlfriends (1978), close up of a white wall being painted red, a paint roller is entering frame from bottom left From Éric Rohmer's The Green Ray (1986), shot of the sea and horizon just after sunset and seeing the green ray From Éric Rohmer's The Green Ray (1986)), In a red rain poncho Delphine runs down some rocky stairs built along a cliff face towards the sea From Éric Rohmer's The Green Ray (1986)), two brunettes sitting at an outdoor domestic dining table with teaware, brunette in red sips at a French-style latte cup, brunette in black corset top nibbles at what I think is a plum From Steven Soderbergh's Sex, Lies and Videotape (1989), a television screen showing a video playing of Andie MacDowell's character From Steven Soderbergh's Sex, Lies and Videotape (1989), Close up of Andie MacDowell, in a darkened room at night, large curls, looking sad, tired, sensual From Steven Soderbergh's Sex, Lies and Videotape (1989), A woman shown in profile stands in front of some artworks she has made on the wall, playing with a lighter the flame is lit From Éric Rohmer's Claire's Knee (1970), Intertitle that reads Vendredi 10 Juillet in blue handwriting From Éric Rohmer's Claire's Knee (1970), Inside of a teenage girl's bedroom showing single bed with pink sheets, chair with tshirt draped over, stuff on the bed, a post hanging From Éric Rohmer's My Night at Maud's (1969), a blonde woman reading in bed, looking down at her book From Éric Rohmer's My Night at Maud's (1969), a blonde looking pensive with her arms crossed over the back of an armchair From Éric Rohmer's My Night at Maud's (1969), a blonde woman smiling with her arms crossed over the back of an armchair From Éric Rohmer's My Night at Maud's (1969), a blonde woman in sweater and skirt gets water at a sink, back turned to camera From Nicole Holofcener's Walking and Talking (1996), a brunette holds up a blonde's body so she in floating in a lake, arms extended From Nicole Holofcener's Walking and Talking (1996), a blonde with a short bob looks out a high window into the night with a pink light framing her in the room behind From Michael Haneke's The Piano Teacher (2001), portrait shot of Erika in peach blouse and red lipstick, lookig at camera From Michael Haneke's The Piano Teacher (2001), Erika sitting in a tiered auditorium of chairs to left of screen at examination From Michael Haneke's The Piano Teacher (2001), Erika standing in piano teaching room back turned to camera looking out open window piano taking up much of foreground From Jan Röed, Kristian Petri, Johan Söderberg's Tokyo Noise (2002), beautiful shot of Mt Fuji. with sky a bright purple From Jan Röed, Kristian Petri, Johan Söderberg's Tokyo Noise (2002), close up shot of a foot walking up stairs in Tokyo metro wearing long plaid pants and chunky platforms From Jan Röed, Kristian Petri, Johan Söderberg's Tokyo Noise (2002), shot of a VHS blue-tinted video looking screen with title Aikogahara forest, 70 suicides a year From Jan Röed, Kristian Petri, Johan Söderberg's Tokyo Noise (2002), a machine that makes sushi with some human assistance, formed rice is seen on a strange conveyor belt From Jan Röed, Kristian Petri, Johan Söderberg's Tokyo Noise (2002), opening title on grey background with blue text, vertical list that says 2 photographers, 2 robot constructors, 1 professor, 1 priest, 1 psychiatrist, 1 game constructor, 1 editor, 1 noise musician From Sam Green's Annea Lockwood / A Film About Listening (2020), opening title with typo that reads THIS FILM IS ABOUT LISTENING.PLEASE WEAR HEADPHONES IF YOU CAN; THE EXPERIENCE WILL MUCH STRONGER From Sam Green's Annea Lockwood / A Film About Listening (2020), Annea playing among bits of glass as part of her glass concerts in the 1960s From Joshua Safdie's The Pleasure of Being Robbed (2008), close up of Eleanor's hands behind her in handcuffs, red sweater From Joshua Safdie's The Pleasure of Being Robbed (2008), Eleanore in red sweater walks through botanic garden, pictured birds-eye From Luca Guadagnino's The Staggering Girl (2019), close up of feet and legs of Moore in black gown rushing along cobblestones From Luca Guadagnino's The Staggering Girl (2019), Julianne Moore in fancy black gown under fancy black coat sitting outside of a fancy old-fashioned building From Luca Guadagnino's The Staggering Girl (2019), an interior showing table, lamp, fancy chairs, open windows From Chloé Zhao's Songs My Brothers Taught Me (2015), A shot on some houses on the plains, grey skies, with a rainbow emerging on left From Chloé Zhao's Songs My Brothers Taught Me (2015), A girl smiles while receiving a peel-off tattoo on her face From Frances Ford Coppola's The Godfather Part II (1974), Kay in the courtoom, pictured in profile in a pinkish light From Frances Ford Coppola's The Godfather Part II (1974), Pictured from above, a small group of people stand among large olive oil barrels From Frances Ford Coppola's The Godfather Part II (1974), Kay sits in a room sewing at a machine at a table by the window framed by floral curtains From Frances Ford Coppola's The Godfather Part II (1974), The young Godfather holds a burning cloth that has caught flame after he shot the gun concealed inside From Frances Ford Coppola's The Godfather Part II (1974), A big old black steam train takes up the right hand side of frame, left hand side shows the platform From Frances Ford Coppola's The Godfather Part II (1974), The Godfather stands behind a loveseat in a fancy house, framed in golden light against a curatined window From Frances Ford Coppola's The Godfather Part II (1974), The Godfather as a young man stands in front of the food market where he works, holding a basket on his shoulder From Frances Ford Coppola's The Godfather Part II (1974), a window in a bedroom after riddled with gun shots, smoke hangs in the air, making frame smoggy From Frances Ford Coppola's The Godfather Part II (1974), a man rides a donkey through a small Italian village at daybreak From Frances Ford Coppola's The Godfather Part II (1974), a man and a blonde woman lying asleep in a black satin-sheeted bed From Frances Ford Coppola's The Godfather Part II (1974), shot of an Italian mountain village with text 'The Godfather was born Vito Andolini, in the town of Corleone in Sicily From Frances Ford Coppola's The Godfather (1972), a pitcher of red wine on an outdoor picnic table at a party at two thin glasses of wine, ashtray, plates, etc From Frances Ford Coppola's The Godfather (1972), shot of foot coming through the front window of a car, blurred, right up in our face, amazing From Frances Ford Coppola's The Godfather (1972), a large wedding procession of black hearses bedecked in flowers driving through a cemetery, pictured through a field of headstones From Frances Ford Coppola's The Godfather (1972), a large wedding procession of black hearses bedecked in flowers driving through a cemetery From Frances Ford Coppola's The Godfather (1972), interior of bedroom showing pink satin-sheeted bed, pink curtains, floral wallpaper, maybe a little girl's room? sweet, harmonious From Frances Ford Coppola's The Godfather (1972), very wide shot of a village in Italy showing the wedding procession walking down the hill through the village From Frances Ford Coppola's The Godfather (1972), a man lies dead next to a spouting fire hydrant on a street in NYC, people standing around it From Frances Ford Coppola's The Godfather (1972), Michael and his Italian wife walking through the Italian hills, kind of volcanic deserty scrub landscape From Frances Ford Coppola's The Godfather (1972), interior of an old-fashioned 50s diners/restaurant From Frances Ford Coppola's The Godfather (1972), a simple white bread cheese and lettuce sandwich sits on white butcher paper on a desk under a lamp next to a cup of coffee From Frances Ford Coppola's The Godfather (1972), bird's eye shot of Don Corleone getting shot, lying over car, oranges have spilled from the fruit stand nearby onto the street From Frances Ford Coppola's The Godfather (1972), shot under an elevated subway line showing street, very dark and shadowy cut through with bright slivers of light From Frances Ford Coppola's The Godfather (1972), shot of fish wrapped in brown paper and some kind of padded material, like a bullet proof vest, sitting open on someone's lap From Frances Ford Coppola's The Godfather (1972), famous shot of bloody and severed black horse's head in bed From Frances Ford Coppola's The Godfather (1972), shot of a gilded bed, flashy elaborate head board, silver and gold silk sheets From Frances Ford Coppola's The Godfather (1972), wide shot of Don Corleone at desk in study, very dark lit and him in black suit, a man in a white suit sitting with back turned to camera, contrast, harmony From Frances Ford Coppola's The Godfather (1972), a young girl wearing pink socks and white t-strap ballerina slippers dances on the feet of a man on a wooden floor, tender From Frances Ford Coppola's The Godfather (1972), wide shot of Don Corleone's study, dark paneled, dark lit, a man asking for a favour From Alice Rohrwacher's Happy as Lazzaro (2018), mismatched glasses and mugs holding espresso on a tray From CTV Television's Ervin Nyiregyházi documentary (1978), a young boy plays at an old fashioned kids piano in a grand salon room From CTV Television's Ervin Nyiregyházi documentary (1978), close up of hand of young boy playing old fashioned kids piano From CTV Television's Ervin Nyiregyházi documentary (1978), close up of book titled 'The Psychology of a Musical Prodigy' From CTV Television's Ervin Nyiregyházi documentary (1978), close up of tuxedoed arms playing piano in a kind fo fractcal effect From Reiner Holzemer's Martin Margiela: In His Own Words (2019), a shot of an archival Courrèges fashion video showing 1960's boots with the toes cut out From Neon Genesis Evangelion series (1995), Huge fiery outlines of wings shoot out from earth as seen from space From Neon Genesis Evangelion, episode 20 (1995), Shinji sits on a train seat head in his hands bathed in orange sunset light, subtitle reads 'I'm going to impress father. The father that abandoned me!' From Neon Genesis Evangelion, episode 20 (1995), a glass of beer, lighter and ash tray of lipstick stained cigarettes on a shelf From Neon Genesis Evangelion, Episode 1 or 2? (1995), Shinji lies in bed in a sparse hospital room with a dramatic beam of light illuminating him on the bed. We are looking from one end of the room towards the bottom of his bed From Neon Genesis Evangelion, Episode 1 or 2? (1995), girls talk in the classroom, subtitles read 'Part of growing up is trying again and again and using trial and error' From Neon Genesis Evangelion, Episode 1 or 2? (1995), shot of Rei sitting at desk in classroom gazing out the window, bandaged up, all surrounding desk around her empty, substitle reads 'to work out the right distance to avoid hurting each other' From Nobuhiko Ôbayashi's His Motorbike, Her Island (1986), shot of character in a white t-shirt and helmet leaning forward on the handles of their motorcycle while riding a ferry and looking out at the cloudy view of the islands surrounding From Chantal Akerman's The Eighties (1983), headshot of a brunette in a red shot in profile, on righthand side of frame, looking left From Chantal Akerman's The Eighties (1983), a figure in a white skirt suit is seen with back turned in a dark room, to the left of the frame, on the right hand side of the frame some white columns can be seen From Chantal Akerman's The Eighties (1983), the left half of the frame is taken up with a dark grey or taupe curtain. The right side shows a white wall and a shadowy brunette figure leaning up against the wall, pictured from wait up From Mary Lance's Agnes Martin: With My Back to the World (2002), Agnes holding and hidden behind a 5x5 un-gessoed canvas in her painting studio From Mary Lance's Agnes Martin: With My Back to the World (2002), shot of Agnes Martin's painting 'Little Sister' (1962) on a black background, which has brass nails hammered into the canvas in horizontal lines, a grid of ink rectangles has also been applied to the canvas From Mary Lance's Agnes Martin: With My Back to the World (2002), inside of a museum or gallery in one room looking into a another room at an angle, we see bits of three of Agnes' paintings on the walls From Mary Lance's Agnes Martin: With My Back to the World (2002), shot of a 5x5 painting leaning against the wall in her painting studio, unknown work, it shows 8 horizontal powdery baby blue lines with white in between, including at the top and bottom of canvas From Mary Lance's Agnes Martin: With My Back to the World (2002), shot of a lily pads on a large pond with mountains in the background From Mary Lance's Agnes Martin: With My Back to the World (2002), shot of unknown Agnes Martin painting on a black background that shows four thick horizontal taupe? stripes, in between each is a cluster of three stripes white, light yellow, light red From Mary Lance's Agnes Martin: With My Back to the World (2002), shot of unknown Agnes Martin painting, 5x5, leaning up against the wall in her studio. From the left to right, it shows a horizontal lilac band, a horizontal cream band, a horizontal sage green band, a horizontal cream band, a skinny black line down the middle, and the same pattern reflected on the right side, as if in a mirror From Mary Lance's Agnes Martin: With My Back to the World (2002), shot of unknown Agnes Martin painting, 5x5, leaning up against the wall in her studio. From top to bottom, it shows a horizontal light green? band, a purple band in the same thickness (all subsequent purple bands are the same thickness), a green band double the thickness of the first, a purple band, thick green, purple, thick green, purple, thin green From IMA'a Éliane Radigue Portrait (2006), a shot of rippling water, subtitle reads 'It was the two extremes: one to throw it all away, the other to be captivated From IMA'a Éliane Radigue Portrait (2006), vintage sheet paper Radigue used to map out her compositions From IMA'a Éliane Radigue Portrait (2006), birds-eye shot of Radigue writing on one of these sheets of notation paper, which is made up of a strange grid. Subtitle reads 'I draw lines to know my way' From IMA'a Éliane Radigue Portrait (2006), close up on the shiny blue, green and golden knobs on Radigue's ARP 2500 synth From Věra Chytilová's Daisies (1966), Small green apples scattered on a black and white tile floor with a fragment of a leg showing From Věra Chytilová's Daisies (1966), In a very dark bathroom, a daisy crown hangs on a door handle, that subtitle reads 'We're always so busy' From Věra Chytilová's Daisies (1966), A clock, antique lamp stand and huge open jar full of pickles in a chlorella green brine on a side table A birds-eye shot of a restaurant table showing plates of whole fish and many glasses Two hands touch a cut up watermelon on a bureau in front of a wall drawn with numbers and scribbles in black ink A hazy shot of the brunette Maria wearing a towel Headshot of the orange-blonde Maria in her daisy crown, caption reads 'I love you'? Very bright green plush grass fills the frame Kind of iridescent rainbow-tinted water fills the frame The brunette Maria lays in the bottom left of frame with her head floating in the upper right. Room walls are papered in texts, images, scraps, portraits, pictures, who knows mostly in black ink The two Marias dance under a chandelier with a dusk bright blue sky outside, pictured through diamond-rimmed glass panels Overhead shot of a broken plate arranged back in its place setting on the table. Subtitle reads 'We'll be hard=working and everything will be clean' From Věra Chytilová's Vlčí bouda (1987), the film's title is showing in expressive black hand-painted caps on a background showing icy snow From Věra Chytilová's Vlčí bouda (1987), a young girl stands in profile in a very dark, shadowy room, blending into the shadow, her beige puffy vest can be seen and a white and blue painting in the top lefthand corner of the frame From Věra Chytilová's Vlčí bouda (1987), the subtitle '[Music]' shows over a shot of a tall snowy mountain, hazy From Věra Chytilová's Vlčí bouda (1987), the subtitle '[Music]' shows over a shot of dark figures running frantically down a snowy mountain in near darkness From Věra Chytilová's Vlčí bouda (1987), the subtitle '[Music]' shows over a shot of a full moon at night From Martine Syms' Incense Sweaters & Ice (2017), Syms at outdoor flower market From Martine Syms' Incense Sweaters & Ice (2017), a woman reads on her couch against a large window From Martine Syms' Incense Sweaters & Ice (2017), interior of a very lived-in bedroom showing part of a bed, a cluttered bureau and other furniture From Martine Syms' Incense Sweaters & Ice (2017), interior of a dining room showing dining table, china cabinet, other furniture, walls covered with family photos and a hallway From Martine Syms' Incense Sweaters & Ice (2017), looking into a white bathroom from the hallway, some white sheets are hung in the bathroom drying, white tiles, white door, to the left some red heart-shaped balloons can be seen in another room From Martine Syms' Incense Sweaters & Ice (2017), a woman in pink scrub pants and a black jacket sits on the entrance steps of a drab looking building on her phone, a pop up screen has been edited over the frame showing an mp3 player of some kind that is playing a Tara Birch meditation From Martine Syms' Incense Sweaters & Ice (2017), on a light purple floor, a figure in darker purple heels and wearing a long purple skirt set is walking by, we can only see feet and legs From Haile Gerima's Bush Mama (1979), two characters embrace in deep shadow, light from the window filters in and the wire bed frame is visible, characters very blurred From Haile Gerima's Bush Mama (1979), two figures pictured from behind walk down a city street, black and white film is inverted for dramatic colour effect From Haile Gerima's Bush Mama (1979), birds-eye view of part of a living room, a floral patterned couch and bits of other furniture in view From Haile Gerima's Bush Mama (1979), birds-eye view of part of a living room, a floral patterned couch and bits of other furniture in view, a woman in a summer dress lies in semi-fetal position on the couch From Haile Gerima's Bush Mama (1979), image seen partially reflected through a mirror placed on the floor next to a patterned sheet hung up like a curtain, a woman slouches on the couch with legs out, lazily From Haile Gerima's Bush Mama (1979), artful split-screen style shot where the bottom of a wooden door takes up left-hand side of frame, in right side of frame we see reflected in a mirror a woman lying listlessly on the couch From Haile Gerima's Bush Mama (1979), camera is near the ground pointing into a room with a window and twin wire bed frame, pictured from behind someone is lying on the bed From Robert Altman's Short Cuts (1993), a helicopter lit up in bright pink light flies through a night sky next to pink and aqua text that reads a 'A ROBERT ALTMAN FILM' Inside of a bedroom with floral patterned wallpaper, white doors and a tall dark wood set of drawers with a white phone on top Dark surface of a lake, underneath the surface the white body of a female corpse can be made out The white-socked feet of a cello player sitting behind their instrument, their toes curled up A woman with long blonde hair and in a white sleeveless dress, pictured from behind at an angle, makes a drink in a white kitchen, in front of the kitchen window Close up of a character in a white dress holding their bloodied fist over the sink. A yellow bottle of Joy is at the left side of the sink, and a green tin of Comet on the right Two shot glasses on the ledge of the receptionist's desk in a hospital, one shot glass has a white egg in it A woman with long brown hair and in a purple t-shirt holding a bottle of Budweiser smiles mid-conversation Wide shot of a kitchen, at the sink a character can be seen at the sink from behind, panty-less Dark-lit shot of a liquor cabinet with glasses and flutes A woman sits playing her cello in a closed garage with the car spilling out carbon monoxide From Mira Nair's Mississippi Masala (1991), Mina pictured through a rain-splattered phone booth, from shoulders, talking on the phone From Mira Nair's Mississippi Masala (1991), Mina stands in a phone booth in the rain talking on the phone, shown in profile, smiling From Anne Linsel's Pina Bausch (2006), on a black stage, a woman in a grey long sleeve dress with large glasses and her long curly hair pulled back in a pony tail reads from a small paper she holds in her hands From Anne Linsel's Pina Bausch (2006), on a black stage, a man in a black suit holds up a woman in a blue flowered dress, his hand up her dress and on her back, perhaps holding her between the legs, she is completely stiff, they are shown in profile From Anne Linsel's Pina Bausch (2006), on a black stage, a man in a black suit holds up a woman in a blue flowered dress, the man's back is facing the audience, subtitle says here in white font From Anne Linsel's Pina Bausch (2006), on a black stage, a woman in a blue dress wraps her body into a hug around a man in a black suit, she is being held up with her bent legs around his hips, subtitle reads st in white font From Anne Linsel's Pina Bausch (2006), on a black stage, a woman in a sparkly velvet-looking silver strappy v-neck ball gown and with loose bedhead brown hair, partially obscuring her face, bends one arm at the elbow, her hand flicked down, as if she is in the midst of saying 'oh, no problem' in a sexy way, flicking her hands at the wrist to indicate the 'no problem', subtitle reads go in white font From Krzysztof Kieślowski's 'Dekalog, dziewięć' (1988), a dark wood-paneled room with a long green hanging plant dangling down into the frame From Krzysztof Kieślowski's 'Dekalog, dziewięć' (1988), a close up of a woman's face with her hair pulled back, wearing a brown robe Tsai Ming-liang - Vive L'Amour (1994) Paul Thomas Anderson - Phantom Thread (2017) Krzysztof Kieślowski - Dekalog, osiem (1988) Jerzy Kawalerowicz - Matka Joanna od Aniołów (1961) Jerzy Kawalerowicz - Matka Joanna od Aniołów (1961) Jerzy Kawalerowicz - Matka Joanna od Aniołów (1961) Jerzy Kawalerowicz - Matka Joanna od Aniołów (1961) Jerzy Kawalerowicz - Matka Joanna od Aniołów (1961) Krzysztof Kieślowski - Dekalog, sześć (1988) Krzysztof Kieślowski - Dekalog, sześć (1988) Krzysztof Kieślowski - Dekalog, sześć (1988) Krzysztof Kieślowski - Dekalog, sześć (1988) Krzysztof Kieślowski - Dekalog, pięć (1988) Krzysztof Kieślowski - Dekalog, pięć (1988) Pina Bausch - Café Müller (1978) Pina Bausch - Café Müller (1978) Pina Bausch - Café Müller (1978) Pina Bausch - Café Müller (1978) Flavio Mogherini - The Pajama Girl Case (1977) Flavio Mogherini - The Pyjama Girl Case (1977) Flavio Mogherini - The Pyjama Girl Case (1977) Flavio Mogherini - The Pyjama Girl Case (1977) Flavio Mogherini - The Pyjama Girl Case (1977) Flavio Mogherini - The Pyjama Girl Case (1977) Flavio Mogherini - The Pyjama Girl Case (1977) Flavio Mogherini - The Pyjama Girl Case (1977) Kathleen Collins - Losing Ground (1982) Kathleen Collins - Losing Ground (1982) Kathleen Collins - Losing Ground (1982) Kathleen Collins - Losing Ground (1982) Kathleen Collins - Losing Ground (1982) Kathleen Collins - Losing Ground (1982) Kathleen Collins - Losing Ground (1982) Krzysztof Kieślowski - Dekalog, cztery (1988) Krzysztof Kieślowski - Dekalog, cztery (1988) Krzysztof Kieślowski - Dekalog, cztery (1988) Krzysztof Kieślowski - Dekalog, cztery (1988) Krzysztof Kieślowski - Dekalog, trzy (1988) Krzysztof Kieślowski - Dekalog, trzy (1988) Krzysztof Kieślowski - Dekalog, trzy (1988) Wim Wenders - Lisbon Story (1994) Wim Wenders - Lisbon Story (1994) Krzysztof Kieślowski - Dekalog, dwa (1988) Krzysztof Kieślowski - Dekalog, dwa (1988) Krzysztof Kieślowski - Dekalog, dwa (1988) Krzysztof Kieślowski - Dekalog, dwa (1988) Krzysztof Kieślowski - Dekalog, jeden (1988) Krzysztof Kieślowski - Dekalog, jeden (1988) Krzysztof Kieślowski - Dekalog, jeden (1988) Krzysztof Kieślowski - Dekalog, jeden (1988) Krzysztof Kieślowski - Dekalog, jeden (1988) Krzysztof Kieślowski - Dekalog, jeden (1988) Krzysztof Kieślowski - Dekalog, jeden (1988) Krzysztof Kieślowski - Dekalog, jeden (1988) Julie Dash - Illusions (1982) Gakuryû Ishii - August in the Water (1995) Gakuryû Ishii - August in the Water (1995) Gakuryû Ishii - August in the Water (1995) Gakuryû Ishii - August in the Water (1995) Gakuryû Ishii - August in the Water (1995) Gakuryû Ishii - August in the Water (1995) Gakuryû Ishii - August in the Water (1995) Gakuryû Ishii - August in the Water (1995) Gakuryû Ishii - August in the Water (1995) Gakuryû Ishii - August in the Water (1995) Gakuryû Ishii - August in the Water (1995) Robert Altman - Images (1972) Robert Altman - Images (1972) Robert Altman - Images (1972) Robert Altman - Images (1972) Robert Altman - Images (1972) Robert Altman - 3 Women (1977) Robert Altman - McCabe and Mrs. Miller (1971) Robert Altman - McCabe and Mrs. Miller (1971) Robert Altman - Quintet (1979) Robert Altman - Quintet (1979) Robert Altman - Quintet (1979) Robert Altman - Come Back to the Five and Dime, Jimmy Dean, Jimmy Dean (1982) Robert Altman - Come Back to the Five and Dime, Jimmy Dean, Jimmy Dean (1982) Robert Altman - That Cold Day in the Park (1969) Robert Altman - That Cold Day in the Park (1969) Robert Altman - That Cold Day in the Park (1969) Robert Altman - That Cold Day in the Park (1969) Robert Altman - That Cold Day in the Park (1969) Robert Altman - That Cold Day in the Park (1969) Chantal Akerman - Toute une nuit (1982) Chantal Akerman - Toute une nuit (1982) Chantal Akerman - Toute une nuit (1982) Chantal Akerman - Toute une nuit (1982) Chantal Akerman - Toute une nuit (1982) Chantal Akerman - Toute une nuit (1982) Chantal Akerman - Toute une nuit (1982) Chantal Akerman - Toute une nuit (1982) Chantal Akerman - Toute une nuit (1982) Chantal Akerman - Toute une nuit (1982) Chantal Akerman - Toute une nuit (1982) Chantal Akerman - Toute une nuit (1982) Chantal Akerman - Toute une nuit (1982) Chantal Akerman - Toute une nuit (1982) Chantal Akerman - Toute une nuit (1982) Chantal Akerman - Toute une nuit (1982) Chantal Akerman - Toute une nuit (1982) Chantal Akerman - Toute une nuit (1982) Robert Altman - A Perfect Couple (1979) Robert Altman - A Perfect Couple (1979) Robert Altman - A Perfect Couple (1979) Robert Altman - A Perfect Couple (1979) Daphné Hérétakis - The Seaweed In Your Hair (2016) Daphné Hérétakis - The Seaweed In Your Hair (2016) Daphné Hérétakis - The Seaweed In Your Hair (2016) Daphné Hérétakis - The Seaweed In Your Hair (2016) Daphné Hérétakis - The Seaweed In Your Hair (2016) Daphné Hérétakis - The Seaweed In Your Hair (2016) frutto - mix for c- tv (2020) frutto - mix for c- tv (2020) frutto - mix for c- tv (2020) frutto - mix for c- tv (2020) frutto - mix for c- tv (2020) frutto - mix for c- tv (2020) frutto - mix for c- tv (2020) frutto - mix for c- tv (2020) frutto - mix for c- tv (2020) Yoji Kuri - Ai (1962) Yoji Kuri - Ai (1962) Yoji Kuri - Aos (1964) Thomas Reichman - Mingus: Charlie Mingus 1968 (1968) Thomas Reichman - Mingus: Charlie Mingus 1968 (1968) Thomas Reichman - Mingus: Charlie Mingus 1968 (1968) Thomas Reichman - Mingus: Charlie Mingus 1968 (1968) Thomas Reichman - Mingus: Charlie Mingus 1968 (1968) Peter Greenaway - 26 Bathrooms (1985) Peter Greenaway - 26 Bathrooms (1985) Peter Greenaway - 26 Bathrooms (1985) Peter Greenaway - 26 Bathrooms (1985) Peter Greenaway - 26 Bathrooms (1985) Peter Greenaway - 26 Bathrooms (1985) Federico Fellini - 8 1/2 (1963) Carles Congost - Supercampeón (2000) Carles Congost - Supercampeón (2000) Hayao Miyazaki - Castle in the Sky (1989) Hayao Miyazaki - Castle in the Sky (1989) Unknown video by Chris and Cosey Julie Dash - Daughters of the Dust (1991) Peter Greenaway - Drowning by Numbers (1988) Peter Greenaway - Drowning by Numbers (1988) Peter Greenaway - Drowning by Numbers (1988) Peter Greenaway - Drowning by Numbers (1988) Peter Greenaway - Drowning by Numbers (1988) Peter Greenaway - The Falls (1980) Peter Greenaway - The Falls (1980) Peter Greenaway - The Falls (1980) Peter Greenaway - The Falls (1980) Peter Greenaway - The Falls (1980) Peter Greenaway - The Falls (1980) Hiroshi Teshighara - Antonio Gaudí (1984) Hiroshi Teshighara - Antonio Gaudí (1984) Hiroshi Teshighara - Antonio Gaudí (1984) Hiroshi Teshighara - Antonio Gaudí (1984) Hiroshi Teshighara - Antonio Gaudí (1984) Hiroshi Teshighara - Antonio Gaudí (1984) Hiroshi Teshighara - Antonio Gaudí (1984) Gus Van Sant - To Die For (1995) Chantal Akerman - Je tu il elle (1975) Chris Marker - Junkopia (1981) Chris Marker - Le mystère Koumiko (1965) George Kuchar - Ascension of the Demonoids (1985) George Kuchar - Ascension of the Demonoids (1985) George Kuchar - Ascension of the Demonoids (1985) George Kuchar - Ascension of the Demonoids (1985) George Kuchar - Ascension of the Demonoids (1985) Chantal Akerman - La chambre (1972) Lucrecia Martel - La Ciénaga (2001) Jean Cocteau - Le Sang D'un Poète (1930) Chris Marker - Theory of Sets (1990) Chris Marker - Theory of Sets (1990) Chris Marker - Sans Soleil (1983) Robert Bresson - Mouchette (1967) Robert Altman - Nashville (1975) Todd Haynes - Poison (1990) Yvonne Rainer - A Film about a Woman Who... (1974) Chantal Akerman - Saute ma ville (1968) Pier Paolo Pasolini - Teorema (1968) Pier Paolo Pasolini - Teorema (1968) Pier Paolo Pasolini - Teorema (1968) Pier Paolo Pasolini - Teorema (1968) Pier Paolo Pasolini - Teorema (1968) Pier Paolo Pasolini - Teorema (1968) Alfred Hitchcock - Vertigo (1958)

watching always like/for (log), home